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A conceptual metaphor is an underlying association that is systematic in both language and thought. A root metaphor is the underlying worldview that shapes an individual's understanding of a situation. A nonlinguistic metaphor is an association between two nonlinguistic realms of experience.
The founder of phenomenology, Edmund Husserl, identified the Other as one of the conceptual bases of intersubjectivity, of the relations among people. In philosophy, the Other is a fundamental concept referring to anyone or anything perceived as distinct or different from oneself.
That is to say, when an object moves from point A to point B, a change is created, while the underlying law remains the same. Thus, a unity of opposites is present in the universe simultaneously containing difference and sameness. An aphorism of Heraclitus illustrates the idea as follows: The road up and the road down are the same thing.
The root of the words subjectivity and objectivity are subject and object, philosophical terms that mean, respectively, an observer and a thing being observed.The word subjectivity comes from subject in a philosophical sense, meaning an individual who possesses unique conscious experiences, such as perspectives, feelings, beliefs, and desires, [1] [3] or who (consciously) acts upon or wields ...
In any communication, in any medium or format, "subtext" is the underlying or implicit meaning that, while not explicitly stated, is understood by an audience.[1]The Oxford English Dictionary defines it as "an underlying and often distinct theme in a conversation, piece of writing, etc.", [2] while according to Merriam-Webster, subtext is "the implicit or metaphorical meaning (as of a literary ...
In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. [1] Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". [2]
The name halo effect is based on the concept of the saint's halo, and is a specific type of confirmation bias, wherein positive sentiments in one area cause questionable or unknown characteristics to be seen positively. If the observer likes one aspect of something, they will have a positive predisposition toward everything about it.
Inscape has been rendered variously as: external design, aesthetic conception, intrinsic beauty, the intrinsic form of a thing, a form perceived in nature, the individual self, the expression of the inner core of individuality, the peculiar inner nature of things and persons, expressed in form and gesture, and an essence or identity embodied in ...