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Indian silent film people (3 C) ... List of silent Bengali films; List of silent films from South India; A. Andhare Alo (1922 film) B. Balidan; Bhakta Vidur;
Surya Films 1931 Dhoomakethu: Sundarrao Natkarni 1931 Discarded Love: Suryaprakash Film Company 1931 Martyr: Sundarrao Natkarni 1931 Gamble of Life: Baburao 1931 Hero of the wilds: T Prakash 1931 Jaw Breaker: 1931 Kidnapped Bride: V.K. Patil 1931 Thief of Iraq: K.P. Bhave 1932 Rajadhi Raja: 1932 Chota Chor: Surya Films 1932 Hari Maya: Mysore ...
List of lost films; List of lost silent films (1910–1914) List of lost silent films (1915–1919) List of lost silent films (1920–1924) List of lost silent films (1925–1929) List of incomplete or partially lost films; List of lost or unfinished animated films; List of rediscovered films; List of rediscovered film footage
Manilal Joshi, an eminent Gujarati director, quit his job as a teacher in 1920 and joined Kohinoor Film Company, learning cinematography from Vishnu B. Joshi. [6]Majority of the silent films made in Indian cinema all over India including the South India states with the exception of Kerala, were mythological in context. [7]
Dadasaheb Phalke's silent film Raja Harishchandra (1913) is the first feature-length film made in India. [26] The film, being silent, had English, Marathi, and Hindi-language intertitles. By the 1930s, the Indian film industry as a whole was producing over 200 films per year. [27]
Silent Cinema in India - A Pictorial Journey is a 2012 Indian English language non-fiction book, written by B D Garga and published by HarperCollins India. [1] [2] It won the 2012 National Film Award for Best Book on Cinema [3]
The cinema of India, consisting of motion pictures made by the Indian film industry, has had a large effect on world cinema since the second half of the 20th century. [8] [9] Indian cinema is made up of various film industries, each focused on producing films in a specific language, such as Hindi, Telugu, Tamil, Kannada, Malayalam, Marathi, Bengali, Punjabi, Bhojpuri, Assamese and others.
Silent-film actors emphasized body language and facial expression so that the audience could better understand what an actor was feeling and portraying on screen. Much silent film acting is apt to strike modern-day audiences as simplistic or campy. The melodramatic acting style was in some cases a habit actors transferred from their former ...