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The development of East Asian literature has been subjugated to both local and international influences. The presence of Western literature and the transnational exchange reflects an interrelationship in which East Asian Literature has benefited from the communication of ideas and perspectives as well as contributed to broader literature movements.
Many East Asian scripts can be written horizontally or vertically. Chinese characters, Korean hangul, and Japanese kana may be oriented along either axis, as they consist mainly of disconnected logographic or syllabic units, each occupying a square block of space, thus allowing for flexibility for which direction texts can be written, be it horizontally from left-to-right, horizontally from ...
Regular script is the most widely recognized style, and is the form taught to children in East Asian countries and others first learning to write characters. For students of calligraphy, regular script is usually studied first in order to provide students a base of knowledge from which to learn other, more flowing styles, including a sense of ...
Chinese Writing. Translated by Mattos, Gilbert L.; Norman, Jerry. Berkeley: Society for the Study of Early China and The Institute of East Asian Studies, University of California. ISBN 978-1-557-29071-7. Snow, Don (2004). Cantonese as Written Language: The Growth of a Written Chinese Vernacular. Hong Kong University Press. ISBN 978-9-622-09709-4.
An example of Chinese bronze inscriptions on a bronze vessel – early Western Zhou (11th century BC). The earliest known examples of Chinese writing are oracle bone inscriptions made c. 1200 BC at Yin (near modern Anyang), the site of the final capital of the Shang dynasty (c. 1600 – c. 1046 BC).
The Pollard script, also known as Pollard Miao (Chinese: 柏格理苗文; pinyin: Bó Gélǐ Miáo-wén) or Miao, is an abugida loosely based on the Latin alphabet and invented by Methodist missionary Sam Pollard.
Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
It was, however, described by Fan Heng (1272–1330) as methods of writing poetry, divided into four styles: qi, cheng, zhuan, and he. Qi was described as straight, [ 1 ] cheng was likened to a mortar , zhuan was described change, and he is likened to a deep pond or overflowing river which helps one reflect on the meaning. [ 1 ]
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