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In Poland, Piotr Michałowski (1800–1855) used a Romantic style in paintings particularly relating to the history of Napoleonic Wars. [12] In Italy Francesco Hayez (1791–1882) was the leading artist of Romanticism in mid-19th-century Milan. His long, prolific and extremely successful career saw him begin as a Neoclassical painter, pass ...
In Poland, Piotr Michałowski (1800–1855) used a Romantic style in paintings particularly relating to the history of Napoleonic Wars. [113] In Italy Francesco Hayez (1791–1882) was the leading artist of Romanticism in mid-19th-century Milan. His long, prolific and extremely successful career saw him begin as a Neoclassical painter, pass ...
Pages in category "Romantic paintings" The following 21 pages are in this category, out of 21 total. This list may not reflect recent changes. B. Beethoven (Mähler)
Romanticism (Romantisme in French) was a literary and artistic movement that appeared in France in the late 18th century, largely in reaction against the formality and strict rules of the official style of neo-classicism.
Wanderer above the Sea of Fog [a] is a painting by German Romanticist artist Caspar David Friedrich made in 1818. [2] It depicts a man standing upon a rocky precipice with his back to the viewer; he is gazing out on a landscape covered in a thick sea of fog through which other ridges, trees, and mountains pierce, which stretches out into the distance indefinitely.
The artistic movement known as Pictorial Romanticism, which flourished in Europe from the mid-18th to the late 19th centuries, defies a singular definition. While commonly conceived as a unified movement, critical discourse lacks consensus on both the defining characteristics of a Romantic style and the very existence of such a movement.
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Historian Jacques Barzun argued that romanticism was falsely opposed to realism [5] and declared that "...the romantic realist does not blink his weakness, but exerts his power." [6] The term also has long standing in art criticism. [7] Art scholar John Baur described it as "a form of realism modified to express a romantic attitude or meaning". [8]
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