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The Years is a 1937 novel by Virginia Woolf, the last she published in her lifetime. It traces the history of the Pargiter family from the 1880s to the "present day" of the mid-1930s. Although spanning fifty years, the novel is not epic in scope, focusing instead on the small private details of the characters' lives. Except for the first, each ...
In the 2014 novel The House at the End of Hope Street, Woolf is featured as one of the women who has lived in the titular house. [268] Virginia is portrayed by both Lydia Leonard and Catherine McCormack in the BBC's three-part drama series Life in Squares (2015). [269]
The Question of Things Happening: Letters of Virginia Woolf vol 2 1913 - 1922 (1976) A Change of Perspective: Letters of Virginia Woolf vol 3 1923 - 1928 (1977) A Reflection of the Other Person: Letters of Virginia Woolf vol 4 1929 - 1931 (1978) The Sickle Side of the Moon: Letters of Virginia Woolf vol 5 1932 - 1935 (1979)
Inspired by and dedicated to Woolf’s lover, Vita Sackville-West, the classic 1928 novel has long been fodder for feminist and queer readings. The florid tale of a nobleman-cum-woman who fluidly …
Emerging at the end of a big year for TV adaptations of unfilmable novels, from The Sympathizer to 3 Body Problem to Interior Chinatown, One Hundred Years of Solitude is among the best of the ...
Orlando: A Biography is a novel by Virginia Woolf, first published on 11 October 1928, inspired by the tumultuous family history of the aristocratic poet and novelist Vita Sackville-West, Woolf's lover and close friend.
When Woolf realised the idea of a "novel–essay" wasn't working, she separated the two parts. The non-fiction portion became Three Guineas . The fiction portion became Woolf's most popular novel during her lifetime, The Years , which charts social change from 1880 to the time of publication through the lives of the Pargiter family.
Virginia Woolf was known as a critic by her contemporaries and many scholars have attempted to analyse Woolf as a critic. In her essay, "Modern Fiction", she criticizes H.G. Wells, Arnold Bennett and John Galsworthy and mentions and praises Thomas Hardy, Joseph Conrad, William Henry Hudson, James Joyce and Anton Chekhov.