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Italian term Literal translation Definition Lacuna: gap: A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello ...
Parascenium: in a Greek theatre, the wall on either side of the stage, reaching from the back wall to the orchestra. Parquet: ground floor of a theatre, often main seating section, directly in front of the stage. Part: a character; the portion of the script intended for one character. Parterre: the upper part of the main seating. Usually behind ...
His opera Mefistofele, with music and libretto by the author, has a historical character, and is an important step in the evolution of the Italian theatre. [ 48 ] Even in this century, however, the legacy, now several hundred years old, of the Commedia dell'arte remained in the dialectal theatre that continued to stage masks.
Tito Gobbi (24 October 1913 – 5 March 1984) was an Italian operatic baritone with an international reputation. He made his operatic debut in Gubbio in 1935 as Count Rodolfo in Bellini's La sonnambula and quickly appeared in Italy's major opera houses. By the time he retired in 1979 he had acquired a repertoire of almost 100 operatic roles.
The Odontobutidae, or freshwater sleepers, contains 22 species between 6 genera from eastern Asia. This family is the sister to all the other Gobiiformes in a clade with the Rhyacichthyidae. [1] Typhleotris madagascariensis a species in family Milyeringidae
Italian music innovation – in musical scale, harmony, notation, and theatre – enabled the development of opera and much of modern European classical music – such as the symphony and concerto – ranges across a broad spectrum of opera and instrumental classical music and popular music drawn from both native and imported sources ...
Music portal; Pages in category "Italian musical theatre composers" The following 5 pages are in this category, out of 5 total.
The theatre would have to be built on the border of the monumental structure of Palermo, as an ideal point of reference of the city's expansion. [1] Therefore, unlike the "aristocratic" Teatro Massimo, the Politeama would have to house more popular shows (operetta, festivals, equestrian shows, etc.). [1] Frontal view with the statue of Ruggero ...