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A low relief carving of a Viking ship Carving tools and a mallet. In wood carving relief carving is a type in which figures or patterns are carved in a flat panel of wood; the same term is also used for carving in stone, ivory carving and various other materials. The figures project only slightly from the background rather than standing freely.
Fretwork is an interlaced decorative design that is either carved in low relief on a solid background, or cut out with a fretsaw, coping saw, jigsaw or scroll saw. Most fretwork patterns are geometric in design. The materials most commonly used are wood and metal. [1] Fretwork is used to adorn furniture and musical instruments.
Linenfold (or linen fold) is a simple style of relief carving used to decorate wood panelling with a design "imitating window tracery", [1] "imitating folded linen" [2] or "stiffly imitating folded material". [3] Originally from Flanders, the style became widespread across Northern Europe in the 14th to 16th centuries.
The carving consists of Egyptian hieroglyphs and figures in low relief, and the style is extremely delicate and fine. A stool shown on one of the panels has legs shaped like the fore and hind limbs of an animal, a form common in Egypt for thousands of years. [1]
Repoussé (French: ⓘ) or repoussage (ⓘ) is a metalworking technique in which a malleable metal is shaped by hammering from the reverse side to create a design in low relief. Chasing (French: ciselure) or embossing is a similar technique in which the piece is hammered on the front side, sinking the metal. The two techniques are often used in ...
Donatello's Saint George Freeing the Princess of 1417, the first known stiacciato relief. Stiacciato (Tuscan) or schiacciato (Italian for "pressed" or "flattened out") is a technique where a sculptor creates a very shallow relief sculpture with carving only millimetres deep. [1] The rilievo stiacciato is primarily associated with Donatello ...
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Relief sculpture may also decorate steles, upright slabs, usually of stone, often also containing inscriptions. Another basic distinction is between subtractive carving techniques, which remove material from an existing block or lump, for example of stone or wood, and modelling techniques which shape or build up the work from the material.
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