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John Lee Hooker (August 22, 1912 [1] or 1917 [4] [5] – June 21, 2001) was an American blues singer, songwriter, and guitarist. The son of a sharecropper , he rose to prominence performing an electric guitar-style adaptation of Delta blues that he developed in Detroit .
John Lee Hooker was an American blues singer and guitarist who recorded from 1948 to 2001. His discography includes recordings issued by various record companies in different formats. His discography includes recordings issued by various record companies in different formats.
In a song review for AllMusic, Richie Unterberger described the song as "one of John Lee Hooker's most famous recordings, and certainly one of the best he did in his early career with electric full-band accompaniment". [6] He also noted: "Dimples" proved to be a great favorite among subsequent blues-rock bands as a choice of cover material.
"Boom Boom" is a song written by American blues singer and guitarist John Lee Hooker and recorded October 26, 1961. Although it became a blues standard, [3] music critic Charles Shaar Murray calls it "the greatest pop song he ever wrote". [4] "
When it was released by Los Angeles-based Modern Records, "Crawling King Snake" became one of Hooker's most successful singles, reaching number six on the Billboard R&B chart in 1949. [10] Hooker recorded several subsequent versions of the song, including one with Rolling Stones guitarist Keith Richards for Hooker's 1991 album Mr. Lucky.
It should only contain pages that are John Lee Hooker songs or lists of John Lee Hooker songs, as well as subcategories containing those things (themselves set categories). Topics about John Lee Hooker songs in general should be placed in relevant topic categories .
Pages in category "Songs written by John Lee Hooker" The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes. B.
The Penguin Guide to Blues Recordings said "Riverside required Hooker to play only acoustic guitar. What motivated this redirection, and in particular the 'classic blues' repertoire on the first album was a view of the blues - you might say a politics of the blues - very much of its time ... though, as always with Hooker the result is not exact commemoration so much as highly personalised ...