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Italian music innovation – in musical scale, harmony, notation, and theatre – enabled the development of opera and much of modern European classical music – such as the symphony and concerto – ranges across a broad spectrum of opera and instrumental classical music and popular music drawn from both native and imported sources ...
Important Italian composers in this century are: Domenico Scarlatti, Benedetto Marcello, Giovanni Battista Pergolesi, Niccolò Piccinni, Giovanni Paisiello, Luigi Boccherini, Domenico Cimarosa, and Luigi Cherubini. It is also the age in which Italian music became international, so to speak, with many Italian composers beginning to work abroad.
The music of the Trecento pioneered new forms of expression, especially in secular song and in the use of vernacular language, Italian. In these regards, the music of the Trecento may seem more to be a Renaissance phenomenon; however, the predominant musical language was more closely related to that of the late Middle Ages, and musicologists ...
1410-1415 — Compilation of the Squarcialupi Codex, the largest source of trecento music. c. 1400-c. 1600 Italian Renaissance Music. c. 1420-c. 1490 — Composition of polyphonic music enters a slow period. More great Italian performers than composers are known from this time. Rise of the influential d'Este and Medici political dynasties.
The term Italian music is ambiguous and may refer to several topics: The music of Italy; The folk, popular, classical (especially opera) musics of Italy and the Italian peoples; The music of Italian people in the United States or other countries
Mina and Adriano Celentano are the best-selling artists in Italy. This is the chart of Italian music artists listed by estimated sales according to the most important Italian newspapers, national television channels and music magazines. As the compilation of official data of sale of records in Italy it began to have departed only since 1995, thanks to the Federazione Industria Musicale ...
Italian popular music is musical output which is not usually considered academic or classical music but rather has its roots in the popular traditions, and it may be defined in two ways: it can either be defined in terms of the current geographical location of the Italian Republic with the exceptions of the Germanic South Tyrol and the eastern portion of Friuli-Venezia Giulia; alternatively ...
The Italian folk revival was accelerating by 1966, when the Istituto Ernesto de Martino was founded by Gianni Bosio in Milan to document Italian oral culture and traditional music. With the emergence of the Nuova Compagnia di Canto Popolare in 1970, the notion of a musical group organized to promote the music of a particular region (in this ...
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