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When concealing the mic is important, such as with film production, a smaller housing may be desirable. Sanken's CUB-01 boundary microphone has a 32 mm diameter and 12 mm height, which makes it easier to hide in TV and film field shooting and easier to reposition or temporarily mount in locations (e.g. taping it onto the inside ceiling of a car).
The Sony ZV-1 is a 20MP Sony compact digital camera with a 1-inch image sensor. [1] It is similar to the Sony RX100 V with extra features, such as features for vlogging and quick video production. [2] [3] The camera can record video in XAVC S and AVCHD formats. [4] The camera was released in May 2020 as part of Sony's ZV line-up.
The microphones should be as similar as possible, preferably a frequency-matched pair of an identical type and model. The result is a realistic stereo field that has reasonable compatibility with mono playback. Since the cardioid polar pattern rejects off-axis sound, less of the ambient room characteristics are picked up.
The RE20 is held in the 309A shock mount. The broadcasting field used a variety of microphones including the German Sennheiser MD 421 (1960) and the American SM5 (1966) by Shure. [9] When the RE20 was released in 1968, it was adopted by radio and television announcers for its natural sound and consistent level throughout the pickup pattern.
Degree of directionality of pickup: in some settings, such as a home video of a birthday party, the person may wish to pick up all the sounds in the room, making an omnidirectional mic desirable. However, if a TV news crew is filming a reporter at a noisy protest, they may only wish to pick up her voice, making a cardioid mic more desirable.
The RCA Type 77-DX microphone is a poly-directional ribbon microphone, or pressure-gradient microphone, introduced by the RCA Corporation in 1954. It was preceded by the Type 77-D introduced in 1948. [ 1 ]
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