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The Piano Sonata No. 14 in C-sharp minor, marked Quasi una fantasia, Op. 27, No. 2, is a piano sonata by Ludwig van Beethoven, completed in 1801 and dedicated in 1802 to his pupil Countess Julie "Giulietta" Guicciardi. [b] Although known throughout the world as the Moonlight Sonata (German: Mondscheinsonate), it was not Beethoven who named it ...
The sonatas differ in structure in the third movement and only the first sonata has a fourth movement. In the first sonata, thematic material is referenced from one movement to the other which is also uncommon in a typical sonata of the time but more like the fantasia style. They were written in 1801. For the individual sonatas see: Piano ...
Two measures after the melody sets in, an abrupt run features the same notes, only one octave higher, like the cadenza in the sonata's third movement (Presto agitato). The climax on a 6 4 chord is similar in both pieces. [2] Additionally, the Fantaisie-Impromptu ' s middle part and the second movement of the Moonlight Sonata are in D ♭ major.
Op. 26 in A-flat major contains a 'marcia funebre' which foreshadows that of the 'Eroica' symphony; Op. 27, no. 2 in C-sharp minor 'Quasi una fantasia' (the famous 'Moonlight' sonata) has the dramatic sonata form movement come last instead of first, and Op. 31, No. 3 in E-flat major contains both a scherzo and a minuet, sacrificing a slow movement.
Piano sonatas are usually written in three or four movements, although some piano sonatas have been written with a single movement (Scarlatti, Liszt, Scriabin, Medtner, Berg), others with two movements (Haydn, Beethoven), some contain five (Brahms' Third Piano Sonata, Czerny's Piano Sonata No. 1, Godowsky's Piano Sonata) or even more movements.
The first movement follows the sonata allegro format of the classical period, and borrows thematically from Beethoven's Piano Quartet No. 3 in C major, [5] WoO 36, from a decade earlier. The movement opens with the main theme in the tonic key, beginning with a double-thirds trill-like pattern.
Image credits: selkam #2. Colour. It sounds weird but anytime the colour of something comes up and someone tries to correct me. I’ve been a commercial printing press operator for 20 years.
This dedication was not Beethoven's original intention, and he did not have Guicciardi in mind when writing the Moonlight Sonata. Thayer, in his Life of Beethoven, states that the work Beethoven originally intended to dedicate to Guicciardi was the Rondo in G, Op. 51 No. 2, but this had to be dedicated to Countess Lichnowsky. So he cast around ...
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