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He gave this painting in turn to the English Ambassador, who presented it to James I. This was the reason why in 1631, when Lievens was 24, he was invited to the British court. [ 1 ] Houbraken appears to have taken this account directly from Jan Orlers' Beschrijvinge der Stad Leyden (1641) which gives a life of Jan Lievens in pages 375-7 ...
Pages in category "Painters from Leiden" The following 76 pages are in this category, out of 76 total. This list may not reflect recent changes. A. Johannes van der Aeck;
Gelder, Nicolaes van (Leiden c. 1636 – Amsterdam 1677) Gherwen, Reynier van (Leiden c. 1620 – Leiden 1662) Gheyn, Jacques de (II) (Antwerp 1565 – The Hague 1629) Gheyn, Jacques de (III) (Haarlem or Leiden 1596 – Utrecht 1641) Gillig, Jacob (Utrecht c. 1636 – Utrecht 1701) Gillis, Nicolaes (Antwerp 1592/93 – Haarlem aft. 1632)
Pieter de Ring, or Ryng (1615/1620 – 22 September 1660) was a Dutch Golden Age painter, famous for his opulent, flashy still lifes or banquet pieces with fruit, a lobster, a goblet, shrimps, oysters, a rug and Chinese porcelain. His signature is often a painted ring or with the Latinised form of his name, P.Ab.Annulo.
Jacob Isaacszoon van Swanenburg [a] (Dutch pronunciation: [ˈjaːkɔp fɑn ˈsʋaːnə(m)bʏr(ə)x]; 1571 in Leiden – 1638 in Utrecht) was a Dutch painter, draftsman and art dealer. He was known for his city views, history paintings , Christian religious scenes and portraits.
Gerrit Dou (pronounced [ˈɣɛrɪt dʌu]; 7 April 1613 – 9 February 1675), also known as Gerard Douw or Dow, was a Dutch Golden Age painter, whose small, highly polished paintings are typical of the Leiden fijnschilders. He specialised in genre scenes and is noted for his trompe-l'œil "niche" paintings and candlelit night-scenes with strong ...
The Leiden fine painters produced a small scale of mostly genre paintings or portraits with high attention to detail, which was made popular by Frans' master Gerrit Dou (1613–1675), a Dutch Golden Age painter. Frans' superb skills as a painter rubbed off on his son and his influence can be seen in technique, subject matter, and style. [5]
Jan Adriaensz. van Staveren (1614 in Leiden – 1669 in Leiden), was a Dutch Golden Age painter of the Leiden school of fijnschilders. According to the RKD he was fourteen when he entered his name in 1628 in the Leiden University Album Studiosorum , and he paid dues to the Leiden Guild of St. Luke in the years 1644–1669. [ 1 ]