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In English, eau only exists in words borrowed from French, and so is pronounced similarly in almost all cases (like in plateau, bureau).Exceptions include beauty and words derived from it, where it is pronounced /juː/, bureaucrat where it is pronounced /ə/, bureaucracy where it is pronounced /ɒ/, [4] and (in some contexts) the proper names Beaulieu and Beauchamp (as /juː/ and /iː ...
An Eau de vie in a traditional nosing glass. An eau de vie is usually served as a digestif. The typical serving size is 30 to 60 ml (1.1 to 2.1 imp fl oz; 1.0 to 2.0 US fl oz), owing to the high alcohol content of the spirit and because it is typically drunk after a meal during which wine, or some other alcoholic beverage, has already been served.
French orthography encompasses the spelling and punctuation of the French language.It is based on a combination of phonemic and historical principles. The spelling of words is largely based on the pronunciation of Old French c. 1100 –1200 AD, and has stayed more or less the same since then, despite enormous changes to the pronunciation of the language in the intervening years.
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The following pronunciation respelling key is used in some Wikipedia articles to respell the pronunciations of English words. It does not use special symbols or diacritics apart from the schwa (ə), which is used for the first sound in the word "about". See documentation for {} for examples and instructions on using the template.
Poire Williams is the name for eau de vie (colorless, unsweetened fruit brandy) made from the Williams pear (also known as Williams' bon chrétien and as the Bartlett pear in the United States, Canada and Australia) in France and Switzerland. [1] It is generally served chilled as an after-dinner drink.
Eau de toilette (French: [o d(ə) twalɛt], meaning "grooming water") [n 1] is a lightly scented perfume. [2] It is also referred to as aromatic waters and has a high alcohol content. [ 3 ] It is usually applied directly to the skin after bathing or shaving. [ 4 ]
Reflets dans l'eau opens in a slow tempo (andantino molto) (which is repeated through much of the piece) while the right hand is playing a set of chords to accompany the melody. The piece has several brief melody statements and climaxes that are more glimpses of music than full ideas, which is typical of Debussy's middle and late piano works.