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Saint Francis Embracing Christ on the Cross or Allegory of Saint Francis' Renunciation of the Material World to Follow Jesus is an oil on canvas painting by Bartolomé Esteban Murillo, created in 1668-1669, now held in the Museum of Fine Arts of Seville.
Christ embracing Saint Bernard is an oil on canvas painting by Spanish artist Francesc Ribalta, created between 1625 and 1627, now held in the Museo del Prado of Madrid. [1] It has been described as "“one of the most famous examples of Spanish naturalism and one of the greatest expressions of contemporary mysticism".
The Christ Child and the Infant John the Baptist with a Shell or The Holy Children with a Shell (Spanish - Los Niños de la concha) is a 1670-1675 oil on canvas painting by Bartolomé Esteban Murillo, now in the Prado Museum in Madrid. One of the artist's most popular works, it was widely reproduced in prints and on plates. [1]
Saint Francis embracing Christ on the Cross, by Murillo, 1668. The Bible includes primarily pre-Ascension visions of Jesus, except for the vision of Christ by Saint Stephen in Acts 7:55, [20] and the conversation between Jesus and Ananias in Damascus in which Ananias is ordered to heal Paul (Acts 9:10–18).
The work is one of the most important tenebrist paintings of the author. It was paired with another similar artwork, The Apparition of the Virgin to Saint Ildefonsus, and both were probably commissioned as altar pieces for a cistercian convent, despite there is no trace of their origin.
The cross and the skull are two elements typical of Francis of Assisi's iconography. The mystical contact with God is presented by the light that emanates from the sky. The scene was presented in the convention of a cloudy evening. Francis is wearing the Franciscan brown habit with a hood, patched with large pieces of lighter cloth.
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