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A Madea Christmas (musical play) Madea Gets a Job; Madea Goes to Jail (play) Madea's Big Happy Family; Madea's Class Reunion; Madea's Family Reunion (play) Marilyn and Ella; The Marriage Counselor; Meet the Browns (play) The Mighty Gents; The Mountaintop; A Movie Star Has To Star in Black and White
Day of Absence is a play written by American playwright Douglas Turner Ward, which premiered off-off-Broadway in 1965. [1] Telling the story of a Southern town where all of its Black residents suddenly disappear, Day of Absence is notable for most productions starring Black actors in whiteface in a reverse minstrel show style. [2]
Some critics of the play even criticize the length of the play and say the play had "little action and but scenes with people yelling at each other". [13] In this way the play structure follows the realism genre in that it depicts real life on stage, with everyday activities being performed; like cooking, cleaning, etc.
Black literature is far too expansive to cover in just a month, especially if you look back through history at the works of luminaries like Langston Hughes, Toni Morrison, James Baldwin and Nikki ...
The Battle of Hastings (play) Battle of Tippecanoe Outdoor Drama; Becket; The Belle of Amherst; A Bequest to the Nation; Bhopal (play) The Black Prince (play) Black Watch (play) Blood at the Root (play) Bloody Poetry; Bloody Sunday: Scenes from the Saville Inquiry; Boesman and Lena; The Bomb (play) Bonduca; The Burning (play) Byzantium (play)
This year's Black History Month has the theme "African Americans and Labor." The ASALH shares that this theme "focuses on the various and profound ways that work and working of all kinds—free ...
Taboo (1922 play) A Taste of Honey; The Far Country (play) The Road (play) This Is How It Goes; Thurgood (play) To Kill a Mockingbird (2018 play) Toussaint Louverture: The Story of the Only Successful Slave Revolt in History; Trying to Find Chinatown; Twilight: Los Angeles, 1992
The play received mixed reviews, mainly because of its attempted reach. Said one critic, "[The play] falters a bit in its cathartic stretch, but the work accomplishes something signally important: In recalling a traumatic chapter of African history, it magnifies the biases and conflicts that are inextricably part of the act of remembrance itself."