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The music of Louisiana can be divided into three general regions: rural south Louisiana, home to Creole Zydeco and Old French (now known as cajun music), New Orleans, and north Louisiana. The region in and around Greater New Orleans has a unique musical heritage tied to Dixieland jazz, blues , and Afro-Caribbean rhythms.
State Instrument Image Date & Citation Arkansas: Fiddle: 1985 [1] Hawaii: Ukulele (ʻauana/contemporary musical instrument) 2015 [2] Pahu (kahiko/traditional musical instrument) Kentucky: Appalachian dulcimer: 2001 [3] "Mighty Wurlitzer" organ (theater pipe organ) 2005 [4] Louisiana: Cajun accordion: 1990 [5] Missouri: Fiddle: 1987 [6] New ...
Cajun music is often mentioned in tandem with the Creole-based, Cajun-influenced zydeco form, both of Acadiana origin. These French Louisiana sounds have influenced American popular music for many decades, especially country music, and have influenced pop culture through mass media, such as television commercials. It is an aural tradition ...
Cajun music (French: Musique cadienne), an emblematic music of Louisiana played by the Cajuns, is rooted in the ballads of the French-speaking Acadians of Canada. Although they are two separate genres, Cajun music is often mentioned in tandem with the Creole-based zydeco music. Both are from southwest Louisiana and share French and African ...
Record labels based in Louisiana (19 P) S. Music schools in Louisiana ... Pages in category "Music of Louisiana" The following 20 pages are in this category, out of ...
The term Creole music (French: musique créole) is used to refer to two distinct musical traditions: art songs adapted from 19th-century vernacular music; or the vernacular traditions of Louisiana Creole people which have persisted as 20th- and 21st-century la la and zydeco in addition to influencing Cajun music.
It is reasonable to assume that tresillo-based rhythms were performed in Congo Square by Caribbean slaves. There are examples of tresillo-like rhythms in a few African American folk musics such as the foot stomping patterns in ring shout and the post-Civil War drum and fife music. [24] Tresillo is also heard prominently in New Orleans second ...
A "double" bass line, when the guitar and bass play in unison, was combined with a strong backbeat to make the music easy to dance to. [2] It is also common to hear the influence of Caribbean rhythms such as the mambo, rhumba, and the calypso. [4] In addition, the usage of blue notes is characteristic. Like most blues, New Orleans R&B typically ...