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Blind contour drawing is a drawing exercise, where an artist draws the contour of a subject without looking at the paper. The artistic technique was introduced by Kimon Nicolaïdes in The Natural Way to Draw, and it is further popularized by Betty Edwards as "pure contour drawing" in The New Drawing on the Right Side of the Brain.
Shadowing is more complex than only the use of the auditory system. A shadow response can reduce the delay by analysing the temporal difference between the pronunciation of phonemes within a syllable. [21] During a shadowing task, the process of perceiving speech and a subsequent response by the production of speech does not occur separately ...
Thought blocking is a neuropsychological symptom expressing a sudden and involuntary silence within a speech, and eventually an abrupt switch to another topic. [1] Persons undergoing thought blocking may utter incomprehensible speech; they may also repeat words involuntarily or make up new words.
Iaijutsu is a combative sword-drawing art but not necessarily an aggressive art because iaijutsu is also a counterattack-oriented art. Iaijutsu technique may be used aggressively to wage a premeditated surprise attack against an unsuspecting enemy.
Iaidō (居合道), abbreviated iai (居合), [3] is a Japanese martial art that emphasizes being aware and capable of quickly drawing the sword and responding to sudden attacks. [ 4 ] Iaido consists of four main components: the smooth, controlled movements of drawing the sword from its scabbard (or saya ), striking or cutting an opponent ...
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Glossophobia or speech anxiety is the fear of public speaking. [1] The word glossophobia derives from the Greek γλῶσσα glossa (tongue) and φόβος phobos (fear or dread.) The causes of glossophobia are uncertain but explanations include communibiology and the illusion of transparency .
After drawing the outline, back-face culling is set back to normal to draw the shading and optional textures of the object. Finally, the image is composited via Z-buffering, as the back-faces always lie deeper in the scene than the front-faces. The result is that the object is drawn with a black outline and interior contour lines.