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The Rape of Persephone, or Abduction of Persephone, is a classical mythological subject in Western art, depicting the abduction of Persephone by Hades.In this context, the word Rape refers to the traditional translation of the Latin raptus ('seized' or 'carried off') which refers to bride kidnapping rather than the potential ensuing sexual violence.
A votive plaque known as the Ninnion Tablet depicting elements of the Eleusinian Mysteries, discovered in the sanctuary at Eleusis (mid-4th century BC). The Eleusinian Mysteries (Greek: Ἐλευσίνια Μυστήρια, romanized: Eleusínia Mystḗria) were initiations held every year for the cult of Demeter and Persephone based at the Panhellenic Sanctuary of Eleusis in ancient Greece.
Persephone and Dionysos. Roman copy after a Greek original of the 4th–3rd century B.C. Marble. Hermitage.. In ancient Greek mythology and religion, Persephone (/ p ər ˈ s ɛ f ə n iː / pər-SEF-ə-nee; Greek: Περσεφόνη, romanized: Persephónē, classical pronunciation: [per.se.pʰó.nɛː]), also called Kore (/ ˈ k ɔːr iː / KOR-ee; Greek: Κόρη, romanized: Kórē, lit.
The relief is made of Pentelic marble, and it is 2,20 m. tall, 1,52 m. wide, and 15 cm thick. [4] It depicts the three most important figures of the Eleusianian Mysteries; the goddess of agriculture and abundance Demeter, her daughter Persephone queen of the Underworld and the Eleusinian hero Triptolemus, the son of Queen Metanira, [3] [4] in what appears to be a rite. [1]
Triptolemus' first introduction to Demeter is during Demeter's search for her daughter following the abduction of Persephone.While Demeter, in the guise of an old woman [8] named Doso, [9] was searching for her daughter Persephone (Kore), who had been abducted by Hades (Pluto), [10] she received a hospitable welcome from Celeus, the King of Eleusis.
“whereas the real name of the Maid [Kore] is Persephone, as Homer and Pamphos before him say in their poems, the real name of the Mistress [Despoina] I am afraid to write to the uninitiated.” [8] This indicates that Despoina’s true name was restricted to those initiated into the Arcadian mystery cults and thus alludes scholars today. [9]
Of Shelley's own poems, The Witch of Atlas, written in 1820, and With a Guitar, to Jane, written in 1822, were most closely influenced by the Homeric Hymns, particularly the Hymn to Hermes. [101] The 1889 poem "Demeter and Persephone" by Alfred, Lord Tennyson, reinterprets the narrative of the Hymn to Demeter as an allegory for the coming of ...
It was founded in 7th-century BC, and the predecessor of the larger and more monumental Extramural Sanctuary of Demeter and Persephone at Cyrene, Libya, which was founded somewhat later. Initially, it was a small temple, hypaethral , and consisting of a peribolos wall and two altars.