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At the end of each verse is information about the poetic theme referred to with the Tamil term துறை (turai), rhythm with the Tamil word வண்ணம் (Vannam), metre (தூக்கு, Thookku) and the name of the verse, known as பெயர் (peyar). This type of information is rarely found in other classical Tamil literature.
Set as a praise for chieftain Tonataiman Ilantiraiyan of the Kanchi territory, it was composed by Uruttirankannanar sometime around 190–200 CE, states Kamil Zvelebil – a Tamil literature scholar. [ 3 ] [ 4 ] While the poem is from the 2nd century, it was likely added to the Pattuppāṭṭu anthology in the 4th or 5th century CE, states ...
South India in Sangam Period. In Old Tamil language, the term Tamilakam (Tamiḻakam, Purananuru 168. 18) referred to the whole of the ancient Tamil-speaking area, [web 1] corresponding roughly to the area known as southern India today, consisting of the territories of the present-day Indian states of Tamil Nadu, Kerala, parts of Andhra Pradesh and Karnataka.
This collection is considered part of the Sangam Literature and dated approximately between 100 BCE and 200 CE. A series of eighteen major anthologies, it contains the Eight Anthologies (Ettuthokai) and the Ten Idylls (Pattupattu). The songs in the Eighteen Greater Texts anthology are set in the Akaval style.
The Ten Idylls, known as Pattuppāṭṭu (Tamil: பத்துப்பாட்டு) or Ten Lays, is an anthology of ten longer poems in the Sangam literature ...
The Last mode will yield back the 1st Mode, its Cyclic in same order. Same applies for the 5 Pentatonic Scale set, too. The English Term 'Tonic Shift' is 1st coined by one Mr. VPK sundaram who was an important Tamil-Music Theorist and author of several Books and Articles in this topic. He coined the term in his book, Pancha Marabu, in 1991(Page 3).
Sivaraja Pillay, a 20th-century historian, while constructing the genealogy of ancient Tamil kings from Sangam literature, insists that the Sangam poems show no similarities with ancient Puranic literature and medieval Tamil literature, both of which contain, according to him, fanciful myths and impossible legends.
Gaana songs are performed at weddings, stage shows, political rallies, and funerals. Performers sing about a wide range of topics, but the essence of gaana is said to be "angst and melancholy" based in life's struggles. [2] In the past few decades, the genre has entered the music of the mainstream Tamil film industry and gained popularity.