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The 1980s were hip-hop’s first full decade as a documented musical genre on record, and from ’80 to ’89, rap grew from single to albums, from party songs to social commentary, from simple ...
With hip hop having greatly increased in mainstream popularity in the late 1980s, Billboard introduced the chart in their March 11, 1989 issue under the name Hot Rap Singles. [1] [2] Prior to the addition of the chart, hip hop music had been profiled in the magazine's "The Rhythm & the Blues" column and disco-related sections, while some rap ...
Urban contemporary playlists are dominated by singles by top-selling hip hop and R&B performers. On occasion, an urban contemporary station will play classic soul songs from the 1970s and early 1980s to satisfy the earlier end of the genre.
The 1980s also saw many artists make social statements through hip-hop. In 1982, Melle Mel and Duke Bootee recorded "The Message" (officially credited to Grandmaster Flash and The Furious Five), [34] a song that foreshadowed the socially conscious statements of Run-DMC's "It's Like That" and Public Enemy's "Black Steel in the Hour of Chaos". [35]
Still, it was the '70s that saw the R&B singer paving the way for future artists. During that decade, Wonder recorded five chart-topping singles, as well as his 1976 diamond platinum album "Songs ...
The 1980s also saw many artists make social statements through hip hop. In 1982, Melle Mel and Duke Bootee recorded "The Message" (officially credited to Grandmaster Flash and The Furious Five), [14] a song that foreshadowed the socially conscious statements of Run-DMC's "It's like That" and Public Enemy's "Black Steel in the Hour of Chaos". [15]
The term golden age hip hop frames the late 1980s in mainstream hip hop, [20] said to be characterized by its diversity, quality, innovation and influence, [21] and associated with Public Enemy, KRS-One and his Boogie Down Productions, Eric B. & Rakim, Ultramagnetic MCs, [22] [23] De La Soul, A Tribe Called Quest, and the Jungle Brothers [24 ...
Quiet storm radio programs thrived in the 1980s, with many stations across the US carrying a quiet storm program at night, and a few stations broadcasting in the format all day long. [3] The field adapted in the 1990s as new listeners embraced neo-soul experimentation, hip hop samples and beats, as well as more explicit themes.
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