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1-inch Type C Helical Scan or SMPTE C is a professional reel-to-reel analog recording helical scan videotape format co-developed and introduced by Ampex and Sony in 1976. It became the replacement in the professional video and broadcast television industries for the then-incumbent 2-inch quadruplex videotape (2-inch Quad for short) open-reel format.
Spinner's weasel (left) and spinning wheel (right) Spinner's weasel or clock reel is a mechanical yarn-measuring device consisting of a spoked wheel with gears attached to a pointer on a marked face (which resembles a clock) and an internal mechanism that makes a "pop" sound after the desired length of yarn is measured (usually a skein). The ...
Video converters are computer programs that can change the storage format of digital video. They may recompress the video to another format in a process called transcoding , or may simply change the container format without changing the video format.
If the user made any errors in doing this, the machine would malfunction and the tape could become damaged. So, another version, EIAJ-2, was released later on that used a single-reel cartridge (with the take-up reel being built into the VTR) instead of an open take up reel. Otherwise, the recording specifications were exactly the same.
Standard tape speeds varied by factors of two: 15 and 30 in/s were used for professional audio recording; 7 + 1 ⁄ 2 in/s (19.1 cm/s) for home audiophile prerecorded tapes; 7 + 1 ⁄ 2 and 3 + 3 ⁄ 4 in/s (19.1 and 9.5 cm/s) for audiophile and consumer recordings (typically on 7 in (18 cm) reels). 1 + 7 ⁄ 8 in/s (4.8 cm/s) and occasionally ...
Freemake Video Converter 2.0 was a major update that integrated two new functions: ripping video from online portals and Blu-ray disc creation and burning. [13] [14] Version 2.1 implemented suggestions from users, including support for subtitles, ISO image creation, and DVD to DVD/Blu-ray conversion. [15]
The variant called Super 16 mm, Super 16, or 16 mm Type W is an adaptation of the 1.66 (1.66:1 or 15:9) aspect ratio of the "Paramount format" [8] to 16 mm film. It was developed by Swedish cinematographer Rune Ericson in 1969, [ 9 ] using single-sprocket film and taking advantage of the extra room for an expanded picture area of 12.52 mm × 7. ...
7-inch reel of 1 ⁄ 4-inch-wide (6.4 mm) recording tape, typical of non-professional use in the 1950s–70s. Studios generally used 10 1 ⁄ 2 inch reels on PET film backings. Inexpensive reel-to-reel tape recorders were widely used for voice recording in the home and in schools, along with dedicated models expressly made for business dictation.