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North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry N. Abrams, 1999: 170-171. ISBN 0-8109-3689-5. Haley, James L. Apaches: a history and culture portrait. Norman: University of Oklahoma Press, 1997. ISBN 978-0-8061-2978-5. Karasik, Carol. The Turquoise Trail: Native American Jewelry and Culture of the ...
The stones we use are of a wider variety than those usually associated with Indian jewelry. The symbols and narrative on our pieces are expansions of traditional symbols and stories.” [8] Southwest Native American art dealer and book author Martha Hopkins Lanman Struever held the first gallery show for Bird and Johnson in Chicago in 1978 ...
Owen's designs are noted for their intricacy and multifaceted surfaces of inlaid shells, stones. and natural materials. [14] [15] Owen is recognized for helping popularize this traditional Ancestral Pueblo style of Native American jewelry, which was not previously well known.
Collection of the National Museum of the American Indian, of the Smithsonian Institution. Orville Z. Tsinnie (1943–May 23, 2017) was a Diné silversmith, jewelry maker and katsina carver from the Navajo Nation. He lived and worked in Shiprock (Navajo: Tse bit'a'i), New Mexico for most of his life.
Amrapali Jewels, is a jewellery house founded in 1978 by Rajiv Arora and Rajesh Ajmera in Jaipur. [2] Amrapali designs, produces and distributes tribal, fine and uncut gemstone jewellery. The brand has stores in India and London .
Wampum is a traditional shell bead of the Eastern Woodlands tribes of Native Americans. It includes white shell beads hand-fashioned from the North Atlantic channeled whelk shell and white and purple beads made from the quahog or Western North Atlantic hard-shelled clam.
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