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Some falsely used the names of famous artists or studios to mark pieces. [52] Early Japanese ceramics rarely had stamps or signatures, which can make dating some Satsuma ware difficult. [53] One characteristic of earlier pieces, however, is a high-quality glaze and finish, as later mass production led to dramatically inferior works. [54]
Franciscan Fine China pattern Gold Band introduced in 1949 [4] In 1940, the Gladding, McBean & Co. introduced their first hand-painted embossed earthenware dinnerware line Franciscan Apple, and shortly thereafter in 1941, Desert Rose. Apple was adapted from the embossed pattern Zona, produced by the Weller Pottery Company of Ohio.
In May 1925, Morimura-Brothers entered into a sole agency agreement with CTR (which had been renamed IBM in 1924) to import the Hollerith machines into Japan. The first Hollerith tabulator in Japan was installed at Nippon Pottery in September 1925, making Noritake IBM's first customer in Japan. [3] [6] [7]
Kutani ware (九谷焼, Kutani-yaki) is a style of Japanese porcelain traditionally supposed to be from Kutani, now a part of Kaga, Ishikawa, in the former Kaga Province. [1] It is divided into two phases: Ko-Kutani (old Kutani), from the 17th and early 18th centuries, and Saikō-Kutani from the revived production in the 19th century.
Major Japanese ceramic companies include Noritake and Toto Ltd.. Japanese pottery is distinguished by two polarized aesthetic traditions. On the one hand, there is a tradition of very simple and roughly finished pottery, mostly in earthenware and using a muted palette of earth colours.
Some older designs were discontinued or modified to be better suited to RAM pressing. New designs were added to take advantage of the capabilities of the new process. While the RAM Press was a more automated production method, Glidden Pottery continued to be hand-finished and hand-decorated, in keeping with Parker’s design philosophy. [4]
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