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The Patience Strong Bedside Book (1953) "Beyond the Rainbow" (1957) The Blessings of the Years (1963) Come Happy Day (1966) Give me a Quiet Corner (1972) A Joy Forever (1973) With a Poem in My Pocket (Autobiography, 1981) Poems from the Fighting Forties (1982) Fifty Golden Years (1985, to commemorate her fiftieth anniversary as Patience Strong)
At an early age, Chiyo-ni was introduced to art and poetry, and she began writing haiku poetry at the age of seven. By the age of seventeen, she had become very popular all over Japan for her poetry. Her poems, although mostly dealing with nature, work for a unity of nature with humanity.
Phenomenal Woman: Four Poems Celebrating Women is a book of poems by Maya Angelou, published in 1995. [1] The poems in this short volume were published in Angelou's previous volumes of poetry. "Phenomenal Woman," "Still I Rise," and "Our Grandmothers" appeared in And Still I Rise (1978) and "Weekend Glory" appeared in Shaker, Why Don't You Sing ...
In the late 1800s and early 1900s, a new breed of women started to emerge from the depths of circus tents around the world: the strong-woman. These women quickly drew large crowds of circus lovers ...
The women would entertain the miners with poetry, song, dance and sexual companionship. These ‘bar women’ are known as matekatse, translated ‘to wonder about’ or ‘odd job’. Thus the ‘shebeen songs’ of independent women are also ‘songs of affliction’ in which the women speak of their loves, trials and tribulations as women.
A literary critic noted that Evans used "black idioms to communicate the authentic voice of the black community is a unique characteristic of her poetry." [21] I Am a Black Woman (1970), her best-known poetry collection, won the Black Academy of Art and Letters First Poetry Award in 1975, and includes her best-known poem, "I Am a Black Woman". [18]
Johnston's poetry was considered by some as of no lasting value, but in 1991 her poem written in dialect "The Last Sark" was published in An Anthology of Scottish Women Poets. In 1998 Gustav Klaus's biography "Factory Girl: Ellen Johnston and Working-class Poetry in Victorian Scotland" was published. [4]
In 1980, Clifton published "homage to my hips" in her book of poems, Two-Headed Woman. Two-Headed Woman won the 1980 Juniper Prize and was characterized by its "dramatic tautness, simple language … tributes to blackness, [and] celebrations of women", which are all traits reflected in the poem "homage to my hips". [15]