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Alphonse Mucha working on the cycle in 1920. Mucha's The Slav Epic in the National Gallery of Prague. The Slav Epic (Czech: Slovanská epopej) is a cycle of 20 large canvases painted by Czech Art Nouveau painter Alphonse Mucha between 1910 and 1928. The cycle depicts the mythology and history of Czechs and other Slavic peoples.
Art Nouveau posters and graphic arts flourished and became an important vehicle of the style, thanks to the new technologies of color lithography and color printing, which allowed the creation of and distribution of the style to a vast audience in Europe, the United States and beyond. Art was no longer confined to art galleries, but could be ...
In 1895, Mucha produced the poster for Gismonda, a play starring Sarah Bernhardt. Bernhardt highly admired Mucha's work, commissioning a six-year contract with him. [1] The style employed in Gismonda, le style Mucha, became a sensation in Paris and became known as the Art Nouveau movement. [2] Following Gismonda, Mucha
Alfons Maria Mucha [1] [2] (Czech: [ˈalfons ˈmuxa] ⓘ; 24 July 1860 – 14 July 1939), [3] known internationally as Alphonse Mucha, was a Czech painter, illustrator, and graphic artist. Living in Paris during the Art Nouveau period, he was widely known for his distinctly stylized and decorative theatrical posters, particularly those of Sarah ...
This is a truncated, illustrated list of works by Alphonse Maria Mucha, and shows few examples of the many iconic images for which he is famous. The list does not include all of Mucha's 1910-1928 series The Slav Epic.
The Mucha museum was founded by Sebastian Pawlowski, a Swiss entrepreneur who had bought and renovated Kounice Palace . He approached John Mucha with the idea for a gallery of Mucha works. [ 1 ] The museum was opened in February 1998 by the Muchovo Muzeum s.r.o, a Czech company, containing works from the Mucha Trust Collection.
Maison de l'Art Nouveau was opened by Siegfried Bing in Paris: Pan magazine was founded and published by Otto Julius Bierbaum, Julius Meier-Graefe, and Richard Dehmel in Berlin: A poster for Gismonda by Alphonse Mucha was published in Paris: 1896 The poster for the cabaret Le Chat noir was created by Theophile-Alexandre Steinlen in Paris
One great limitation on the architecture of Paris at the end of the 19th century was a law, dating to the 1607 but still in effect in 1900, limitling the height and ornament on the facades and forbidding any elements of architecture that protruded over the sidewalk below.
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