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The Stahl House, Case Study House #22. The Case Study Houses were experiments in American residential architecture sponsored by Arts & Architecture magazine, which commissioned major architects of the day to design and build inexpensive and efficient model homes for the United States residential housing boom caused by the end of World War II and the return of millions of soldiers.
Edward Killingsworth FAIA (1917–2004) was an American architect.He is best known as a participant in Arts & Architecture's Case Study program in the mid-1950s. He designed and built Case Study House #25, "The Frank House," in Naples, California.
Historic buildings, notably pre-WWII, are built with higher quality materials and built under different standards than modern buildings. Architectural Design - Buildings have personalities, specific architectural elements that make the building unique and more valuable. Saving these unique traits within original building are ideal.
America's Favorite Architecture" is a list of buildings and other structures identified as the most popular works of architecture in the United States. In 2006 and 2007, the American Institute of Architects (AIA) sponsored research to identify the most popular works of architecture in the United States.
The Stahl House (also known as Case Study House #22) is a modernist-styled house designed by architect Pierre Koenig in the Hollywood Hills section of Los Angeles, California, which is known as a frequent set location in American films.
According to a case study by the American Institute of Architects (AIA) Trust, [21] "many have viewed the actions of LeMessurier as nearly heroic, and many engineering schools and ethics educators now use LeMessurier's story as an example of how to act ethically." However, others have criticized LeMessurier for his lack of oversight that led to ...
Novelty architecture, also called programmatic architecture or mimetic architecture, is a type of architecture in which buildings and other structures are given unusual shapes for purposes such as advertising or to copy other famous buildings. Their size and novelty means that they often serve as landmarks.
Architecture was the "art which so disposes and adorns the edifices raised by men ... that the sight of them" contributes "to his mental health, power, and pleasure". [20] For Ruskin, the aesthetic was of overriding significance. His work goes on to state that a building is not truly a work of architecture unless it is in some way "adorned".