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Melodie on a Theme of Rachmaninoff: violin/cello and piano 1890–1: 1: Piano Concerto No. 1 in F ♯ minor, revised 1917: piano concerto 1890–1: Transcription of Tchaikovsky: The Sleeping Beauty: piano duet 1890–1: Two Pieces (Valse, Romance) piano six hands 1890 "At the Gates of the Holy Cloister" solo voice and piano 1890 "Nothing Shall ...
In 2003, while researching Rachmaninoff material at the Library of Congress, the Australian pianist Scott Davie discovered a two-page sketch of a previously unknown Rachmaninoff work, a Piano Piece in A-flat major. [10] While he was able to make a pencil copy, it wasn't until later he realized that the sketch was complete. [11]
Sergei Rachmaninoff in 1901. Six moments musicaux (French for "Six Musical Moments"; Russian: Шесть музыкальных моментов, romanized: Shest’ muzykál’nykh moméntov), Op. 16, is a set of solo piano pieces composed by the Russian composer Sergei Rachmaninoff between October and December 1896. [1]
Rachmaninoff in front of a giant Redwood tree in California, 1919 The Études-Tableaux ("study paintings"), Op. 39, is the second of two sets of piano études composed by Sergei Rachmaninoff . Op. 39 was composed sometime between 1916 and 1917 [ 1 ] and were among the final works composed by Rachmaninoff before his exit from Russia .
The Prelude in E-Flat Minor, Op. 23 No. 9 is a 1903 composition by Sergei Rachmaninoff. [1] It is part of Rachmaninoff's Ten Preludes, Op. 23 , and is one of the most difficult of the set. Structure
Sergei Vasilyevich Rachmaninoff [a] [b] (1 April [O.S. 20 March] 1873 – 28 March 1943) was a Russian composer, virtuoso pianist, and conductor.Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music.
Morceaux de fantaisie (French for Fantasy Pieces; Russian: Пьесы Фантазии, Pyesy Fantazii), op. 3, is a set of five piano solo pieces composed by Sergei Rachmaninoff in 1892. The title reflects the pieces' imagery rather than their musical form, as none are actual fantasies.
In 1901, Rachmaninoff wrote his Prelude in G minor.This was not published until he had completed nine more preludes in 1903, the set of 10 becoming his Op. 23. These were all in different keys, none of which was C ♯ minor, but it is not known whether he fully intended by this time to eventually complete the full complement of 24 preludes in different keys, to emulate earlier examples by Bach ...
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