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Sonetos de la Muerte (Sonnets of Death) is a work by the Chilean poet Gabriela Mistral, first published in 1914. She used a nom de plume as she feared that she may have lost her job as a teacher. [1] The work was awarded first prize in the Juegos Florales, a national literary contest.
While little is known about her first love, his death influenced Mistral's poems, which often explored themes of death, despair, and possibly a resentment towards God. Her collection of poems titled Desolación , inspired by the loss of her first love and later the death of a beloved nephew, impacted many others.
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The sonnets follow certain trends, but they include many different forms. All of the sonnets are composed of two quatrains followed by two tercets. The sonnet tradition is not as pronounced in German literature as it is, for example, in English and Italian literature. A possible model for Rilke might have been Charles Baudelaire's Les Fleurs du ...
The 1945 Nobel Prize in Literature was awarded to the Chilean poet Gabriela Mistral (1889–1957) "for her lyric poetry, which inspired by powerful emotions, has made her name a symbol of the idealistic aspirations of the entire Latin American world." [1] [2] She is the fifth female and first Latin American recipient of the literature prize. [3 ...
Storni was born on May 29, 1892, in Sala Capriasca, Switzerland.Her parents were Alfonso Storni and Paola Martignoni, who were of Italian-Swiss descent. Before her birth, her father had started a brewery in the city of San Juan, Argentina, producing beer and soda.
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But in the opinion of Lord Byron sonnets were “the most puling, petrifying, stupidly platonic compositions”, [2] at least as a vehicle for love poetry, and he wrote no more than five. John Clare, whose early published poetry falls within this period, is a special case.