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To make "Sweet Child o' Mine" more marketable to MTV and radio stations, the song was edited down from 5:56 to 4:58, for the radio edit/remix, with much of Slash's guitar solo removed. This drew the ire of the band, including Rose, who commented on it in a 1989 interview with Rolling Stone : "I hate the edit of 'Sweet Child o' Mine.'
The song is played with 1/2 step down-tuned guitars, unlike most of Velvet Revolver's catalogue. Similar to "Sweet Child o' Mine" by Guns N' Roses (Slash, McKagan and Sorum's previous band), the song is in the key of D-flat Mixolydian, and is based on an arpeggiated riff around the Dsus4 chord.
These offer different kinds of deep or ringing sounds, chord voicings, and fingerings on the guitar. Alternative tunings are common in folk music. Alternative tunings change the fingering of common chords when playing the guitar, and this can ease the playing of certain chords while simultaneously increase the difficulty of playing other chords.
1 Sweet Child O' Michael? 4 comments. ... 7 Peace scale aka "3 Chords" 1 comment. 8 Bass solo. 3 comments. 9 Slash's Disdain. 1 comment. 10 "Guitar Solos" 2 comments ...
Swans are an American experimental rock band formed in 1981 by singer, songwriter and multi-instrumentalist Michael Gira.One of the few acts to emerge from the New York City-based no wave scene and stay intact into the next decade, Swans have become recognized for an ever-changing sound, exploring genres such as noise rock, post-punk, industrial and post-rock.
In 1987, the Church travelled to Los Angeles to record their fifth studio album, Starfish, and worked with producers Waddy Wachtel and Greg Ladanyi. [7] [8]The Church's line-up for the album was Steve Kilbey on bass guitar and lead vocals, Peter Koppes on guitars, Marty Willson-Piper on guitars, and Richard Ploog on drums and percussion.
The finished film looked great: a fog-cloaked atmospheric drama that was redolent of a German Expressionist silent horror flick." David J also mentioned that the music video was more of an art piece than a traditional music video and commented that Chris Collins "did a brilliant job of capturing the visual essence of the band."
A classic Mixolydian chord progression is I-♭ VII-IV-V. [8] The Mixolydian mode is common in non-classical harmony, such as folk , jazz , funk , blues , and rock music. It is often prominently heard in music played on the Great Highland bagpipes .
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