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A particular aspect of Handel's restraint is his limited use of trumpets throughout the work. After their introduction in the Part I chorus "Glory to God", apart from the solo in "The trumpet shall sound" they are heard only in Hallelujah and the final chorus "Worthy is the Lamb". [111]
Hallelujah. Part II closes with the Hallelujah chorus which became famous as a stand-alone piece, set in the key of D major with trumpets and timpani. The choir introduces Hallelujah, repeated in homophony, in a characteristic simple motif for the word, playing with the interval of a second, which re-appears
List of solo sonatas for various instruments (with keyboard accompaniment) by George Frideric Handel HWV Instrument Key Composed Published Opus Notes 357 Oboe B-flat major c. 1707–10 One of Handel's earliest extant compositions. Probably written during his years in Italy 358: Unspecified G major c. 1707–10 A "Fitzwilliam" sonata. The ...
For Messiah, Handel used the same musical technique as for those works, namely a structure based on chorus and solo singing. The orchestra scoring is simple. Although Handel had good string players at his disposal for the Dublin premiere, [6] he may have been uncertain about the woodwind players who might be available.
Songs with orchestral accompaniment. 5 Romantic Love Songs to words by R.M. Rilke "Bird's Weddings" for higher voice and piano "Carousel of Life" for lower voice and piano to words by R.M. Rilke; Mixed choirs "Dawn", "Autumn", 2 choirs to words by Vl. Sefl; Children choirs Children Songs (with piano accompaniment) Album of Folksongs (with piano)
Most of this section and Lew Soloff's trumpet solo were edited out for the single version; the instrumental break features also an eight-bar piano solo which precedes the trumpet solo on the album version, and that section was overdubbed with guitar on the single version before the last verse.
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