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Bossa nova (Portuguese pronunciation: [ˈbɔsɐ ˈnɔvɐ] ⓘ) is a relaxed style of samba [nb 1] developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. [2] It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band.
Roberto Menescal (born October 25, 1937) is a Brazilian composer, record producer, guitarist, vocalist, and pioneer of bossa nova.In many of his songs there are references to the sea, including his best-known composition "O Barquinho" ("Little Boat").
Só Danço Samba" (aka "Jazz 'n' Samba") is a bossa nova song composed in 1962 by Antônio Carlos Jobim, with lyrics by Vinicius de Moraes. English lyrics were later written by Norman Gimbel . On occasion, it has also been known as "Jazz Samba" and "I Only Dance Samba", an English translation of the original Portuguese title.
Carlos Eduardo Lyra Barbosa (11 May 1933 – 16 December 2023) was a Brazilian singer, and composer of numerous bossa nova and Música popular brasileira classics. He has also worked as a writer, with notable contributions to musical films such as Para Viver um Grande Amor and Intimidade.
For decades, Mendes defined how American audiences heard and digested Brazilian music, first as part of influential bossa nova guitarist-composer’s Antônio Carlos Jobim’s band, then with his ...
This page was last edited on 30 October 2024, at 17:53 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Oscar Castro-Neves (May 15, 1940 – September 27, 2013 [1]), was a Brazilian guitarist, arranger, and composer who is considered a founding figure in bossa nova. Biography [ edit ]
"Chega de Saudade" (Portuguese pronunciation: [ˈʃeɡɐ dʒi sawˈdadʒi]), also known as "No More Blues", is a bossa nova song. It is often considered the first bossa nova song to have been recorded. [1] "Chega de Saudade" and "The Girl from Ipanema" were both composed by Antônio Carlos Jobim with lyrics by Vinícius de Moraes. [2]