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47 bands, mostly Northern California hardcore. Punk-O-Rama [4] Various 1994-2005 Epitaph Records: Series of low-cost albums featuring Epitaph artists. Early issues are mostly punk. Punkzilla: Various 2001 Nitro Records: Compilation album consisting of songs by bands on Nitro Records. Red Scare Industries: Ten Years Of Your Dumb Bullshit ...
The Pretender" by American rock band Foo Fighters spent the most weeks at number one on the Alternative Songs chart for any song during the 2000s. Alternative Airplay is a record chart published by the music industry magazine Billboard that ranks the most-played songs on American modern rock radio stations.
The pop punk band won Best Live Band at the Alternative Press Music Awards (2016). The band's song "In Bloom" won Best Single at the Kerrang! Awards (2018). Necros: Maumee, Ohio, US: 1978–2014: A hardcore punk/post-hardcore band. The Need: Olympia, Washington, US: 1996–2001, 2010, 2013: A queercore/post-punk/art rock/garage rock ...
The following artists spent the most weeks at number one on the chart during the 2000s. A number of artists claimed number-one positions as either the lead artist or a featured artist. Rihanna's "Umbrella" featuring Jay-Z, for example, was counted for both artists because they are both credited on the single.
In order to celebrate the now 31-year-old singer, we've decided to list of some of our favorite Avril Lavigne songs. Transport back to the early 2000s, rev up your old screen name, and turn up the ...
This is a list of notable musical artists associated with the music genre of pop-punk. Pop-punk is a rock music genre that fuses elements of punk rock and power pop and pop. It typically combines punk's fast tempos, loud and distorted electric guitars, and power chord changes with pop-influenced melodies, vocal styles, and lyrical themes. [1] [2]
Hardcore punk (commonly shortened to hardcore) is an underground music genre that generally revolves around a thicker and more aggressive tone than earlier punk rock. This is a dynamic list and may never be able to satisfy particular standards for completeness.
The 2000s in rock radio in the United States saw a continued blurring of the playlists among mainstream rock and alternative rock stations. Every track that was ranked by Billboard as the number-one song of the year on its Mainstream Rock Tracks chart during the decade was also a top-five hit on the Alternative Songs chart, most of which topped both charts.