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Despite achieving moderate success in the glam metal scene, the pedal was discontinued in 1991; it was succeeded by the HM-3 Hyper Metal and MT-2 Metal Zone, the latter of which became a commercial success and top-selling Boss pedal. [2] Since its discontinuance, the HM-2 has become one of the most demanded pedals of the Boss back catalogue.
The MT-2 Metal Zone was released in 1991, following the discontinuation of the earlier HM-2, which failed to sell well during its production run, but was popular among death metal players. With the MT-2, Boss sought to appeal to that market with an improved pedal as death metal's popularity surged. [26]
Metal Muff with Top Boost 2006 - Present Available Redesigned for heavy metal players. This pedal has a 3-band equalizer and a separate "top boost" control. Bass Big Muff Pi 2008 - Present Available Designed for bass players and inspired by the 1998 "Black Russian", this pedal has an added switch which allows for a low-end boost. Nano Muff ...
The Boss MT-2 Metal Zone is a distortion pedal released by Boss in 1991. Designed for the death metal genre, the Metal Zone is characterized by its thick, tight tone and expanded EQ controls. [ 1 ] The extreme sounds the pedal is capable of producing made it successful yet divisive upon its release.
Ibanez Tube Screamer TS808. The Ibanez Tube Screamer is an overdrive pedal made by Ibanez.First developed by Maxon as a competitor to the Boss OD-1, it was sold outside of Japan under the Ibanez brand and became popular among guitarists for its characteristic mid-boosted tone and amp-like distortion.
Each pedal was built in a standard project box, hand painted, and hand drilled. In 1979, Pro Co began mass-producing them. [5] This iteration was built in a custom designed, rectangular sheet-metal enclosure, with an L-shaped removable top/back section giving access to the internals.
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The Metal Zone (MT-2) was released in 1991. In 1992 Boss released nine new pedals, including the Turbo Distortion (DS-2). The Heavy Metal (HM-2) distortion pedal was an integral part of the guitar sound of many styles of heavy metal music ever since. [6] The pedals all share the same 'footprint', for compatibility with pedal boards.
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