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Sheet music for the song "Oregon, My Oregon" Sheet music can be used as a record of, a guide to, or a means to perform, a song or piece of music. Sheet music enables instrumental performers who are able to read music notation (a pianist, orchestral instrument players, a jazz band, etc.) or singers to perform a song or piece. Music students use ...
The second half of the tune is identical to "The Star at Liwis" printed about 1730 in "Caledonian Country Dances" by J Walsh. The earliest recording appears to be Patsy Touhey in 1907, available on "The Piping of Patsy Touhey". [4] This later became available on the album "The Piping of Patsy Touhey" in 2005 on the Na Píobairí Uilleann label.
orchestration / copyist on song "Don't Put Dirt on My Grave" / Juliette (String & Horn Version) for ABC's Nashville Episode 215 produced by Buddy Miller (2014) guest piano w/ Jack White on song "I'm Down" by Beck, sheet music book Song Reader (2014) string orchestration / copyist on song "Impossible Winner" by The Dead Weather (2015)
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]
The original sheet music "Too-Ra-Loo-Ra-Loo-Ral (That's an Irish Lullaby)" is a classic American song that was written in 1913 by composer James Royce Shannon (1881–1946) for the Tin Pan Alley musical Shameen Dhu. The original recording of the song, by Chauncey Olcott, peaked at #1 on the music charts.
The song is credited to the arrangers, Eaton Faning and John Liptrot Hatton. [37] British composer Florence Margaret Spencer Palmer published Variations on Barbara Allen for piano in 1923. [38] Joan Baez and Bob Dylan. Versions of the song were recorded in the 1950s and '60s by folk revivalists, including Pete Seeger. Eddy Arnold recorded and ...
In The Americana Song Reader, William Emmett Studwell writes that the song was introduced by the Christy Minstrels, noting that Foster's "nonsense lyrics are much of the charm of this bouncy and enduring bit of Americana", and the song was a big hit with minstrel troupes throughout the country. Foster's music was used for derivatives that ...
The song was popular among old-time musicians of the Cumberlands before being widely adopted in the bluegrass repertoire. [4] Many variants of "Shady Grove" exist (up to 300 stanzas by the early 21st century). [5] The lyrics describes "the true love of a young man's life and his hope they will wed," [6] and it is sometimes identified as a ...
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