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The painting depicts Mary ("Molly", 31 January 1750 - 2 July 1826) [2] and Margaret ("Peggy", 19 August 1751 - 18 December 1820) [3] Gainsborough engaging in the titular activity. The younger daughter reaching to grab the butterfly represents the fragility of life while the elder daughter's apprehensive facial expression reveals her edging ...
Thomas Gainsborough RA FRSA (/ ˈ ɡ eɪ n z b ər ə /; 14 May 1727 (baptised) – 2 August 1788) was an English portrait and landscape painter, draughtsman, and printmaker.Along with his rival Sir Joshua Reynolds, [1] he is considered one of the most important British artists of the second half of the 18th century. [2]
During her years in the public eye, Georgiana Cavendish, Duchess of Devonshire was painted several times by both Thomas Gainsborough and Joshua Reynolds. Gainsborough's painting of her around 1785, in a large black hat (a style which she made fashionable, and came to be known as the 'Gainsborough' or 'portrait' hat), has become famous for its history.
The work of art itself is in the public domain for the following reason: Public domain Public domain false false The author died in 1788, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
Her father, Thomas Gainsborough was a painter. On the other hand, her mother, Margaret Burr was the illegitimate daughter of Henry Scudamore, 3rd Duke of Beaufort. [4] In 1752, when Mary was two, her family moved to Ipswich, England. Although, her father's commissions for portraits did increase, [4] they moved again in 1759, heading for Bath ...
Mr and Mrs Andrews is an oil on canvas portrait of about 1750 by Thomas Gainsborough, now in the National Gallery, London.Today it is one of his most famous works, but it remained in the family of the sitters until 1960 and was very little known before it appeared in an exhibition in Ipswich in 1927, after which it was regularly requested for other exhibitions in Britain and abroad, and ...
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On 18 March 2017, the painting was attacked by a man with a sharp object. [3] [4] The painting received two scratches of about 1 m (3 ft 3 in) and 65 cm (2 ft 2 in) long in the incident, crossing in the lower half of the figure of Mrs Hallett, but the canvas was not pierced. [5] After 10 days of restoration, the painting went back on display. [5]