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The book consists of 122 verses from the original Tamil work conveying the essence of the original, and not as a word for word translation. [ 3 ] In 1994, "The Ribhu Gita" was published by the Society of Abidance in Truth .
The date and authors of Shiva Purana are unknown. No authentic data is available. Scholars such as Klostermaier as well as Hazra estimate that the oldest chapters in the surviving manuscript were likely composed around the 10- to 11th-centuries CE, which has not stood the test of carbon dating technology hence on that part we must rely on the text itself which tells when it was composed.
The Shiva Mahimna Stotra (Sanskrit: शिवमहिम्न:स्तोत्र, romanized: śiva-mahimnaḥ stotra, lit. 'Hymn about the greatness of Shiva') is a Sanskrit composition in praise of Shiva. According to tradition, the hymn is believed to have been composed by a gandharva (celestial musician) named Pushpadanta.
The Lingashtaka also references other legends of Shiva, such as the quelling of the pride of Ravana when the latter attempted to lift Mount Kailash, and the destruction of Daksha's yajna. The phalashruti (meritorious verse) of the hymn states that when the Lingashtaka is recited near a lingam, the reciter would attain the abode of Shiva and ...
'Devi' (Sanskrit: देवी) is the Sanskrit word for 'goddess'; the masculine form is deva. The terms Devi and Deva are Sanskrit terms found in Vedic literature of 2nd millennium BCE, wherein Devi is feminine and Deva is masculine. [17] Monier Williams translates it as "heavenly, divine, terrestrial things of high excellence, exalted ...
The pañcānana (Sanskrit: पञ्चानन), also called the pañcabrahma, [1] are the five faces of Shiva corresponding to his five activities (pañcakṛtya): creation (sṛṣṭi), preservation (sthithi), destruction (saṃhāra), concealing grace (tirobhāva), and revealing grace (anugraha). [2]
The Śiva·sūtras, technically akṣara·samāmnāya, variously called māheśvarāṇi sūtrāṇi, pratyāhāra·sūtrāṇi, varṇa·samāmnāya, etc., refer to a set of fourteen aphorisms devised as an arrangement of the sounds of Sanskrit for the purposes of grammatical exposition as carried out by the grammarian Pāṇini in the Aṣṭādhyāyī.
It presents yoga and vrata like the Bhagavad Gita, but as a discourse from Shiva. The discourse begins after Vishnu and Shiva embrace each other, according to the text, and then Vishnu invites Shiva to explain the nature of the world, life and self. Shiva explains Atman (soul, self), Brahman-Purusha, Prakriti, Maya, Yoga and Moksha. [2]