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Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
A position sensitive device and/or position sensitive detector (PSD) is an optical position sensor (OPS) that can measure a position of a light spot in one or two-dimensions on a sensor surface. Principles
The main difference between an active pen and the input device known as a passive stylus or passive pen is that although the latter can also be used to write directly onto the screen, it does not include electronics and thus lacks all of the features that are unique for an active pen: touch sensitivity, input buttons, etc. [7] Active pen ...
In comedy, the rule of three is also called a comic triple [14] and is one of the many comedic devices regularly used by humorists, writers, and comedians. The third element of the triple is often used to create an effect of surprise with the audience, [14] and is frequently the punch line of the joke itself.
The third act features the resolution of the story and its subplots. The climax is the scene or sequence in which the main tensions of the story are brought to their most intense point and the dramatic question answered, leaving the protagonist and other characters with a new sense of who they really are.
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A rifle on display. Chekhov's gun (or Chekhov's rifle; Russian: Чеховское ружьё) is a narrative principle that states that every element in a story must be necessary and irrelevant elements should be removed.
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