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"Don't Stop" is the debut single by the American band Innerpartysystem from the band's self-titled debut album. Before being mastered the song was officially released on the band's debut EP (although an earlier demo had been published on the band's MySpace profile beforehand). The single was re-released mainly due to poor endorsement by ...
"Baby Don't Stop" is a song recorded by South Korean boy group NCT U, the first unit of NCT under the management of SM Entertainment, serving as the second single of NCT's debut studio album NCT 2018 Empathy. The song is a duet sung by NCT members Ten and Taeyong. Musically, "Baby Don't Stop" was described as a lush art house tune featuring a ...
Cyclone is the first Baby Bash album not to contain a Parental Advisory sticker. There were three singles released from the album: "Cyclone", "What Is It" and "Don't Stop". The album's lead single, "Cyclone", reached No. 7 on the Billboard Hot 100 and later was certified two-times Platinum by the Recording Industry Association of America.
Don't Stop (Annie album) or the title song, 2009; Don't Stop (Jeffrey Osborne album) or the title song, 1984; Don't Stop (Jolin Tsai album), or the title song, 2000; Don't Stop (Rockets album) or the title song, 2003; Don't Stop (Status Quo album), 1996; Don't Stop, by Billy Idol, 1981; Don't Stop, by Bloodstone, 1979
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In 1995, UK dance act Two In A Tank produced a dance version called "Boogie Woogie Bugle Boy Don't Stop". In 1997, the Kidsongs Kids and the Biggles recorded the song for their Kidsongs video "I Can Do It!". In 2003, Brighton downtempo act Backini remixed a version called "Company B Boy" for their album Threads.
"Don't Stop" Single by Baby Bash featuring Keith Sweat; from the album Cyclone; A-side "Don't Stop" Released: March 2008 (Digital download) Recorded: 2007: Genre: R&B, pop rap: Label: Arista: Songwriter(s) Keith Sweat, Baby Bash, DJ Felli Fel: Producer(s) DJ Felli Fel: Baby Bash singles chronology "
There the bite and elan of her latest love-don't-last songs will win over anyone". [ 50 ] Maura Johnston of The Boston Globe applauded the album for its "matter-of-fact depictions of everyday brutality", and added that "even [during] the most intense moments of Fetch , her lyrics retain a playfulness that acts as a ballast."