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"Barnum and Bailey's Favorite" by Karl King (1892–1971) is a famous circus music piece. [11] Unlike Fučík, King grew up performing circus music joining Robinson's Famous Circus at the age of 19 as a baritone player. During that time circus music needed its own style because modern music did not fit with most of the acts that the circus ...
In 1912, he performed in the Sells-Floto Circus under W.P. English (a famous march composer), and in 1913 in the Barnum and Bailey band under Ned Brill. At the request of Brill he wrote (and dedicated to Brill) "Barnum & Bailey's Favorite", his most famous march and possibly the most recognizable American music written specifically for the circus.
The tuba, which has connotations of humour and the circus, features heavily in the song's texture. [8] Other instruments are used in the piece as effects, including slide whistle and bass drum. [8] The song's melody is played on a mandolin and features a downward-moving chromatic line atop various seventh chords, which also move downwards.
King's earliest known compositions date from 1909 with this, his most famous work, being composed in only his fifth year of composing. [1] King played Baritone horn in many circus bands including Barnum and Bailey's, for more than a decade. [1] As is common in his compositions, Karl King made the baritone part a major voice in the march. [2]
Lydia, the Tattooed Lady" is a 1939 song written by Yip Harburg and Harold Arlen. [1] It first appeared in the Marx Brothers film At the Circus (1939) and became one of Groucho Marx's signature tunes. It subsequently appeared in the movie The Philadelphia Story (1940), sung by Virginia Weidler as Dinah Lord.
Felix Adler was born in Clinton, Iowa on June 17, 1895. [1] He became interested in performing at age 9, when a circus visited his hometown. [2] Adler and his wife, Amelia, ran the first American husband-and-wife independent circus, and he was the first clown to appear on television. [3]
Screamers were mostly composed in a 60-year period (1895–1955). Circuses were in need of music that would stir the audience into a frenzy, as four-footed animals galloped across the ring. Because march music was a prominent part of American music at that time, and because it carried such a quick tempo, it was this that ringmasters demanded.
Most of the lyrics came from a 19th-century circus poster for Pablo Fanque's Circus Royal appearance at Rochdale. It was one of three songs from the Sgt. Pepper album that was banned from playing on the BBC, supposedly because the phrase "Henry the Horse" combined two words that were individually known as slang for heroin.
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