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The alternative Super series, denoted SnR, nR Plus or nR+, has an aspect ratio of 3∶2 (or as close as possible) and thus provides a better fit for standard 135 film (35 mm) at sizes of 8 inches or above. 5R is twice the size of a 2R print, 6R twice the size of a 4R print and S8R twice the size of 6R. 4D/6D is a newer size for most consumer ...
An "informative" (i.e. non-mandatory) annex [7] describes how an ID-000 sized card may be included in an ID-1 size card for processing (e.g. in an ID-1 reader), but with "relief areas around the perimeter of the ID-000 size card to allow it to be removed from the ID-1 size card without punching tools".
177.8 × 127 mm 113 for roll holder 1898 Unknown 90 × 120 mm Possibly discontinued 1924 or 1929 114 for roll holder 1898 Unknown 120 × 90 mm Possibly discontinued 1924 or 1929 115 roll film 1898 1949 6 + 3 ⁄ 4 × 4 + 3 ⁄ 4 in 171.45 × 120.65 mm 116 roll film 1899 1984 2 + 1 ⁄ 2 × 4 + 1 ⁄ 4 in 63.5 × 107.95 mm
The most common large format is 4 in × 5 in (10 cm × 13 cm), which was the size used by cameras like the Graflex Speed Graphic and Crown Graphic, among others. Less common formats include quarter-plate (3.25 in × 4.25 in (8.3 cm × 10.8 cm)), 5 in × 7 in (13 cm × 18 cm), and 8 in × 10 in (20 cm × 25 cm); the size of many old 1920s Kodak cameras (various versions of Kodak 1, 2, and 3 and ...
Print sizes are usually defined by their portrait dimensions (tall) while equipment aspect ratios are defined by their landscape dimensions (wide, flipped sideways). A good example of this a 4×6 print (6 inch wide by 4 inch tall landscape) perfectly matches the 3:2 aspect ratio of a DSLR/35 mm, since 6/2=3 and 4/2=2.
35 mm film is scanned for release on DVD at 1080 or 2000 lines as of 2005. The actual resolution of 35 mm original camera negatives is the subject of much debate. Measured resolutions of negative film have ranged from 25–200 LP/mm, which equates to a range of 325 lines for 2-perf, to (theoretically) over 2300 lines for 4-perf shot on T-Max 100.
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