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Concrete art was an art movement with a strong emphasis on geometrical abstraction. The term was first formulated by Theo van Doesburg and was then used by him in 1930 to define the difference between his vision of art and that of other abstract artists of the time.
The Neo-Concrete Movement (1959–1961) was a Brazilian art movement, a group that splintered off from the larger Concrete Art movement prevalent in Latin America and in other parts of the world. The Neo-Concretes emerged from Rio de Janeiro’s Grupo Frente. They rejected the pure rationalist approach of concrete art and embraced more ...
See Art periods for a chronological list. This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies, evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in ...
The Poussinists believed in the Platonic idea of the existence in the mind of ideal objects that could be reconstructed in concrete form by the selection, using reason, of elements from nature. For the Poussinists, therefore, color was a purely decorative addition to form and drawing (design or disegno ), the use of line to depict form, was the ...
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years.
Compared to other movements in design and architecture, Art Nouveau was one with different versions in multiple countries. The Belgian and French form is characterized by organic shapes, ornaments taken from the plant world, sinuous lines, asymmetry (especially when it comes to objects design), the whiplash motif, the femme fatale , and other ...
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A shape is a two-dimensional design encased by lines to signify its height and width structure, and can have different values of color used within it to make it appear three-dimensional. [ 2 ] [ 4 ] In animation, shapes are used to give a character a distinct personality and features, with the animator manipulating the shapes to provide new ...
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