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Reversible poems, called hui-wen shih poems, were a Classical Chinese artform.The most famous poet using this style was the 4th-century poet Su Hui, who wrote an untitled poem now called "Star Gauge" (Chinese: 璇璣圖; pinyin: xuán jī tú). [1]
The library of Melk Abbey, where the fragment was discovered in 2019. Poems such as Der Rosendorn were uncommon but not unknown in the Middle Ages, particularly in German literature, and often-satirical writers were not afraid to use the foulest of language—mentula (cock), [6] cunnus (cunt) [5] and futuo (to fuck), [7] for example—to emphasise their points.
In the 1948 poem “The Pickerel Pond: A Double Pastoral.” Edmund Wilson used the amphisbaenic rhyme to symbolize the mirror reflection of the pond’s environment. [3] The lake lies with never a ripple, A lymph to lave sores from a leper: The sand white as salt in an air That has filtered the tamed every ray; Below limpid water, those lissome
A golden shovel is a poetic form in which the last word of each line forms a second, pre-existing poem (or section thereof), to which the poet is paying homage.. It was created by Terrance Hayes, whose poem "Golden Shovel" (from his 2010 collection Lighthead) [1] is based on Gwendolyn Brooks' "We Real Cool" (which begins with an epigraph that includes the phrase "Golden Shovel").
In copyright law, a derivative work is an expressive creation that includes major copyrightable elements of a first, previously created original work (the underlying work). The derivative work becomes a second, separate work independent from the first.
The poem is in two sections: the first is a praise of creation in nine lines of alliterative verse. This is followed by a prayer in prose: Grimm (1812) and Massmann (1824) made attempts at the reconstruction of alliterating verses in the second part, but following Wilhelm Wackernagel (1827:9), the second part is now mostly thought to be intended as prose with occasional alliteration.
The Nāsadīya Sūkta (after the incipit ná ásat, or "not the non-existent"), also known as the Hymn of Creation, is the 129th hymn of the 10th mandala of the Rigveda (10:129). It is concerned with cosmology and the origin of the universe . [ 1 ]
De creatura ('On Creation') is an 83-line Latin polystichic poem by the seventh- to eighth-century Anglo-Saxon poet Aldhelm and an important text among Anglo-Saxon riddles. The poem seeks to express the wondrous diversity of creation, usually by drawing vivid contrasts between different natural phenomena, one of which is usually physically ...