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Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...
"Fujisan" white Raku ware tea bowl by Hon'ami Kōetsu, Edo period (National Treasure) Tea-leaf jar with a design of wisteria by Nonomura Ninsei, Edo period (National Treasure) Pottery and porcelain ( 陶磁器 , tōjiki , also yakimono ( 焼きもの ) , or tōgei ( 陶芸 ) ) is one of the oldest Japanese crafts and art forms , dating back to ...
Mishima ware (三島焼) refers to different types of imported and adopted Japanese pottery. Mishima originally refers to the shimamono pottery imported from the islands of Taiwan, Luzon, and "Amakawa" . They were characterized by being roughly-made and often uneven, thus epitomizing the Japanese aesthetic of wabi-sabi.
Yabu Meizan (Japanese: 藪 明山, birth name Yabu Masashichi (藪 政七), [1] January 20, 1853 – 1934) was a Japanese artist and workshop owner known for painting on porcelain. His studio produced high-end Satsuma ware, primarily for the export market. That term was originally coined for artistic painted porcelain from the Satsuma Province ...
Another Japanese representative porcelain, Satsuma ware was also founded by Dang-gil Shim and Pyeong-ui Park. 14th generation of Su-kwan Shim have been using the same name to his grandfather and father to honor they are originally Korean, 14th Su-kwan Shim is honorable citizen of Namwon, Korea. [1] [2]
Sen no Rikyū, who perfected the wabi-cha manner of tea and was the founder of the Omotesenke, Urasenke, and Mushakojisenke tea families (portrait by Hasegawa Tōhaku) "Schools of Japanese tea" refers to the various lines or "streams" of Japanese tea ceremony. The word "schools" here is an English rendering of the Japanese term 'ryūha' (流派).
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