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Many ragtime pianist, beginning around the 1920s, went on to perform stride and boogie-woogie and other lists of artists might be more identified with either. Shapiro's two lists above, exclude those who are known more as (i) non-piano ragtime composers (ii) ragtime revivalist (iii) stride pianists, and (iv) boogie-woogie pianists.
Musicians who are notable for their playing of ragtime music include (in alphabetical order): This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
As a producer, Zimmerman created the ragtime concert series ‘’Where It Was!’’ in Los Angeles. The venue featured ragtime stars from both the past and present, including such legends as pianist and composer Eubie Blake, who once said of Zimmerman: "[Dick] is a real ragtime pianist, and he knows more about its history than I do!" [2]
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John Edward Roache (July 19, 1940 – March 3, 1999) was an American pianist, and prolific MIDI sequencer, exponent, and composer of ragtime; notable for his involvement with and contribution to the international "Ragtime Ring" 1 and eminent, affiliated Swedish Ragtime Society 2 (which houses a number of Roache's creations and a posthumous biography pertaining to him 3, alongside works by a ...
He was the pianist for Lu Watters's group, the Yerba Buena Jazz Band, for its existence during 1939–50, adding a ragtime component to the group. [ 1 ] Following this, he played with Bob Scobey (1951) and Turk Murphy (1952–54), then did mainly solo work for the rest of his career.
In 1992 he was introduced to pianist Jon Weber; who helped him make a professional demo of his compositions and arranged for his first public performance at The Green Mill. [8] In December 1993, Robinson was a guest on "Piano Jazz" with Marian McPartland. [9] In 2004 Robinson won the John D. and Catherine T. MacArthur Foundation "genius award ...
James Price Johnson (February 1, 1894 – November 17, 1955) was an American pianist and composer. A pioneer of stride piano, he was one of the most important pianists in the early era of recording, and like Jelly Roll Morton, one of the key figures in the evolution of ragtime into what was eventually called jazz. [1]