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The script also required Armstrong to play "Ain't Misbehavin '" in a trumpet solo, and although this was initially slated only to be a reprise of the opening song, Armstrong's performance was so well received that the trumpeter was asked to climb out of the orchestra pit and play the piece on stage.
Ain't Misbehavin' is a musical revue with a book by Murray Horwitz and Richard Maltby Jr., and music by various composers and lyricists as arranged and orchestrated by Luther Henderson. It is named after the song by Fats Waller (with Harry Brooks and Andy Razaf), "Ain't Misbehavin'". The musical is a tribute to the music of Fats Waller.
Andy Razaf (born Andriamanantena Paul Razafinkarefo; December 16, 1895 – February 3, 1973) [1] was an American poet, composer, and lyricist of such well-known songs as "Ain't Misbehavin'" and "Honeysuckle Rose".
”Ain't Misbehavin'” by Fats Waller is featured in Diamond City Radio, a virtual station in the video game, Fallout 4, and likewise in its successor, Fallout 76, in its virtual Appalachia Radio. Included in the games' soundtracks, the composition enhances the retro post-apocalyptic atmosphere, receiving positive player reception for its ...
Ain't Misbehavin', a 1955 American musical romantic comedy Ain't Misbehavin' (TV series) , a 1990s British sitcom Ain't Misbehavin' , a 1997 British TV miniseries starring Jerome Flynn and Robson Green
Richard Eldridge Maltby Jr. [1] (born October 6, 1937) is an American theatre director and producer, lyricist, and screenwriter.He conceived and directed the only two musical revues to win the Tony Award for Best Musical: Ain't Misbehavin' (1978: Tony, N.Y. Drama Critics, Outer Critics, Drama Desk Awards, also Tony Award for Best Director) and Fosse (1999: Tony, Outer Critics, Drama Desk Awards).
Five-O is the thirty-eighth studio album by American musician Hank Williams Jr. It was released by Warner Bros. Records on April 29, 1985. "I'm for Love," "This Ain't Dallas" and "Ain't Misbehavin'" were released as singles, reaching No. 1, No. 4 and No. 1 on the Billboard Hot Country Singles chart.
arwulf arwulf [], writing for allmusic, described the recordings as having been "beautifully restored."[7]Harvey Pekar, writing for The Austin Chronicle, gave the set a five-star rating (of a possible five), noting that "[Morton's] oral history here is provocative, and his playing bears out some of the hard-to-believe statements that have been made by (and about) him."