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Eventide DDL 1745 Digital Delay Line Studio Processor. Eventide Inc. (also known earlier as Eventide Clock Works Inc.) is an American pro audio, broadcast and communications company whose audio division manufactures digital effects processors, digital signal processor (DSP) software, and guitar effects pedals.
A harmonizer is a type of pitch shifter that combines the pitch-shifted signal with the original to create a two or more note harmony. The Eventide H910 Harmonizer, [2] released in 1975, was one of the first commercially available pitch-shifters and digital multi-effects units. On November 10, 1976, Eventide filed a trademark registration for ...
A harmonizer is a type of sophisticated pitch shifter that combines the altered pitch with the original pitch to create a two note harmony based on the original pitch, or even with some pedals, three note harmony. Some hamonizers are able to create chorus-like effects by adding very tiny shifts in pitch.
Fulltone USA Inc. is an American manufacturer of effects pedals for the electric guitar.Founded by Michael Fuller in California in 1991, Fulltone was one of the first "boutique" pedal companies [1] and became best-known for its overdrive pedals, the Full-Drive and OCD, with the latter dubbed by Music Radar "one of the most legendary overdrives ever made."
The use of distortion pedals was popularized by Keith Richard's use of a Maestro FZ-1 Fuzz-Tone pedal on the 1965 Rolling Stones song "(I Can't Get No) Satisfaction". [1] [2] Later pedals like the Pro Co Rat and Ibanez Tube Screamer have achieved iconic status among guitarists and are a key element in many players' tones. Industry publications ...
Central to the show was a custom-built vocal "Harmonizer" instrument that enabled Collier to sing multi-voice harmonies in real-time. [ 20 ] [ 19 ] The show debuted at Ronnie Scott's Jazz Club in London, [ 21 ] and Collier later opened for Herbie Hancock and Chick Corea at the 2015 Montreux Jazz Festival .
Over the years, the company's boutique pedals would be used by notable musicians including Lou Reed and R.E.M. [3] The company's growth was never steady; Blanche moved Frantone repeatedly, being gentrified out of several NYC-area locations. [4] In the early 1990s, Blanche built an effects pedal for herself named the "Fuzzy-Wuzzy".
The Metal Zone (MT-2) was released in 1991. In 1992 Boss released nine new pedals, including the Turbo Distortion (DS-2). The Heavy Metal (HM-2) distortion pedal was an integral part of the guitar sound of many styles of heavy metal music ever since. [6] The pedals all share the same 'footprint', for compatibility with pedal boards.
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