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The song ranked at number 17 in Triple J's Hottest 100 of 2017. [3] At the AIR Awards of 2018, the Baker Boy won Breakthrough Independent Artist with "Marryuna", while the song was nominated for Best Independent Single or EP. [4] [5] At the Music Victoria Awards of 2018 "Marryuna" won Best Song. [6]
"Cloud 9" is a song by Indigenous Australian musician Baker Boy featuring Australian musician Kian. [2] It was released in April 2017 as both artists' debut single. It is credited as the first original rap to be recorded and released in Yolŋu Matha language .
"Meditjin" was the recipient of various awards, including Film Clip of the Year and Song of the Year at the 2020 National Indigenous Music Awards and second place in the 2021 Vanda & Young Global Songwriting Competition, and was used in an advertisement for the 2020 AFL season.
Baker Boy is known for performing original hip-hop songs incorporating both English and Yolŋu Matha and is one of the most prominent Aboriginal Australian rappers. He was made Young Australian of the Year in 2019, and his song " Cool as Hell " was nominated in several categories in the 2019 ARIA Awards .
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In Turkey, Melodicas are used on music class in first grade school. In the PDQ Bach oratorio "Oedipus Tex", a melodica is used as the continuo instrument. British musician Damon Albarn has frequently used the melodica, most notably on the movie soundtrack 101 Reykjavík, on the Mali Music collaboration project and with animated band Gorillaz.
A small washtub bass being played. The washtub bass, or gutbucket, is a stringed instrument used in American folk music that uses a metal washtub as a resonator. Although it is possible for a washtub bass to have four or more strings and tuning pegs, traditional washtub basses have a single string whose pitch is adjusted by pushing or pulling on a staff or stick to change the tension.
Subtitled Explorations into Microtonal Tuning, Volume 1, the album is recorded in quarter tone tuning, where an octave is divided into 24 (logarithmically) equal-distanced quarter tones; it was originally conceived to play on a baglama, so the band members used instruments specifically modified for microtonal tuning, as well as other Middle-Eastern instruments like the zurna.