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Chuck Baird (February 22, 1947 – February 10, 2012) [1] was an American Deaf artist who was one of the more notable founders of the De'VIA art movement, [2] [3] an aesthetic of Deaf Culture in which visual art conveys a Deaf world view. [4] [5] His career spanned over 35 years and included painting, sculpting, acting, storytelling, and teaching.
A major point of De'VIA is its differentiation from Deaf Art. Deaf Art is a term encompassing all artists who are Deaf, while De'VIA art can be made by Deaf and hearing individuals, as long as it represents the Deaf experience and perspective. A hearing CODA (Child of deaf adult), for example, could be a contributor to De'VIA. Similarly, a Deaf ...
The Museum of Deaf History, Arts and Culture is also home to the Chuck Baird Art Gallery. [5] Painter Chuck Baird, a graduate of the Kansas School for the Deaf, was a proponent of the De'VIA genre for deaf artists. [6] The museum is home to the Chuck Baird Foundation for the Visual Arts, which promotes and showcases artworks that convey the ...
Deaf artists such as Betty G. Miller and Chuck Baird have produced visual artwork that conveys a Deaf worldview. [53] Douglas Tilden was a famous Deaf sculptor who produced many different sculptures in his lifetime. [54] Some Deaf artists belong to an art movement called De'VIA, which stands for Deaf View Image Art.
Chuck Baird - Chuck Baird is a well-known artist in the deaf community. In 1994, Baird lived in TLC for a year, as an artist in residence, to create a 150-foot-long mural called A Panoramic View of the History of American Sign Language. The mural with three divided sections: the Golden Ages, the Dark Ages, and American Sign Language Revival ...
Betty Miller's piece Ameslan Prohibited (1972) depicts two shackled hands and chopped fingertips; this powerful image encouraged more Deaf people to reveal their childhood experiences of audism and oralism through art. [14] In many of Chuck Baird's artwork, he cleverly incorporates ASL handshapes into the
Baird's stylised rendition of Montrose in the background gleams in the steely light of a "Bomber's Moon", making plain the vulnerability of small coastal towns to German air raids. As an official war artist, Baird completed three portraits of workers in the munitions industry during 1943–44. Ann Fairweather
Ron Baird was born in 1940 in Toronto, Ontario. [1] As an artist, he trained at the Ontario College of Art. [2] He first became known for his architectural sculptures. [3] Baird largely uses the medium of stainless steel. [4] Over his career, Ron Baird has received more than 300 commissions for public installations. [5]