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The SCAD Museum of Art was founded in 2002 as part of the Savannah College of Art and Design in Savannah, Georgia, and originally was known as the Earle W. Newton Center for British American Studies. The museum's permanent collection of more than 4,500 pieces includes works of haute couture , drawings, painting, sculpture, photography, prints ...
Standing Woman (1928-30) Gaston Lachaise (March 19, 1882 – October 18, 1935) was a French-born sculptor , active in America in the early 20th century. A native of Paris , he is most noted for his robust female nudes such as his heroic Standing Woman .
She also directs the university's permanent art collection at the SCAD Museum of Art in Savannah [9] and SCAD FASH Museum of Fashion + Film in Atlanta. [ 10 ] Since Wallace became president of SCAD, the university has added campus locations in Atlanta, Ga. (in 2005), Lacoste, France (in 2002) and Hong Kong (in 2010), and an eLearning program ...
The sixth cast, produced in 2000, is owned by the Lachaise Foundation, New York, and is on loan to the Portland Art Museum. Finally, an artist's proof was issued by the Lachaise Foundation in 2007, and is on loan to the Tuileries Garden. [8] All but the cast owned by the Museum of Modern Art were made at the Modern Art Foundry, Queens, New York.
In 1992, SCAD acquired the deteriorating former railroad headquarters and began renovations. A year later, the building was dedicated to Virginia Jackson Kiah (1911–2001), a member of SCAD's Board of Trustees between 1987 and 1997 and a pioneering African-American female artist.
Portrait of a Woman Standing (Kassel) is a painting by the Dutch Golden Age painter Frans Hals, painted in 1618–1620 and now in Gemäldegalerie Alte Meister (Kassel). It is considered a pendant portrait to the Portrait of a Man Standing , in the same museum.
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In 1974 Seymour Slive listed the painting as the pendant of A Man Holding a Skull and claimed then that despite cleaning of the coat of arms and recent documents the provenance was still inconclusive, and he read the inscription as "aeta suae 31", leading him to conclude the woman was aged 31 at marriage rather than 37. [2]