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The first movement, marked Adagio sostenuto ed espressivo, begins with a G minor chord and the piano descending in a dotted scalar pattern. The cello starts a melodic theme in measure five, and the piano modulates to E♭ major in measure seven. The two instruments are in canon in measure 10. [2]
Beethoven's Cello sonatas may refer to: Cello Sonatas Nos. 1 and 2 (Beethoven) (F major & G minor) Cello Sonata No. 3 in A major (Beethoven)
A cello sonata is piece written sonata form, often with the instrumentation of a cello taking solo role with piano accompaniment. [1] Some of the earliest cello sonatas were composed in the 18th century by Francesco Geminiani and Antonio Vivaldi, and since then other famous cello sonatas have grown to those by Johannes Brahms, Ludwig van Beethoven, Felix Mendelssohn, Fryderyk Chopin, and ...
Cello Sonata No. 1 in F major: 1796 Vienna, 1797 Friedrich Wilhelm II of Prussia: xiii/105 v/3 [6] Op. 5/2 Cello Sonata No. 2 in G minor 1796 Vienna, 1797 Friedrich Wilhelm II of Prussia xiii/106 v/3 [6] WoO 45 Variations for cello and piano on "See the counquering hero comes" from Handel's Judas Maccabaeus in G major 1796 Vienna, 1797
Cello Sonata in G minor; Piano Sonata No. 1 in D minor; Piano Sonata No. 2 in B ♭ minor; César Franck. Violin Sonata in A (sometimes played on cello or flute) Edvard Grieg. Piano Sonata, Op. 7; Violin Sonata No. 1 in F major, Op. 8; Violin Sonata No. 2 in G major, Op. 13; Violin Sonata No. 3 in C minor, Op. 45; Cello Sonata in A minor, Op ...
Cello Sonata No. 2 in A minor, Op. 41 (1900) Cello Sonata No. 3 in G minor (1905) Cello Sonata No. 4 in C minor (1906) Cello Sonata No. 5 in B minor, Op. 56 (1907–10) Cello Sonata No. 6 in D (1914–15) Cello Sonata No. 7 in F-sharp minor (1917) Cello Sonata No. 8 in D minor (1926) Cello Sonata No. 9 in E minor (1927)
The Cello Sonata No. 3 in A major, Op. 69, is the third of five cello sonatas by Ludwig van Beethoven. He composed it in 1807–08, during his productive middle period . It was first performed in 1809 by cellist Nikolaus Kraft and pianist Dorothea von Ertmann , a student of Beethoven.
Twenty years later Casals and Horszowski made a live recording of Nos. 2 and 5, together with a transcription for cello of Beethoven's Op. 17 Horn Sonata, in 1958 (Philips 426105). Casals' second complete studio set of the Beethoven sonatas was recorded with Rudolf Serkin at the 1951 Perpignan Festival (No. 2) and at the 1953 Prades Festival ...
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